Analyzing literature requires more than identifying themes on a checklist. Mimi's art history training at Dartmouth taught her close-reading techniques that transfer directly to literary analysis — examining how an author's choices in structure, imagery, and point of view create meaning, then buildi...

Reading a novel closely and writing about it persuasively are two different skills, and most students need practice bridging the gap. Aaron teaches students to identify literary devices — symbolism, narrative structure, shifts in tone — and then build arguments around textual evidence rather than pl...

Neurobiology training at Northwestern meant Nina spent years reading dense research papers where every word choice in a methods section or discussion carried interpretive weight — a habit that sharpens literary close reading more than most people expect. She teaches students to zero in on how a spec...

Reading literature well means learning to sit with ambiguity — tracking unreliable narrators, unpacking symbolism, and building interpretive arguments that go beyond plot summary. Reid's background in sociology sharpens his approach to literary analysis, connecting texts to the cultural and historic...

A Harvard sociology and women's studies graduate, Solange reads literature through multiple lenses — examining how power, identity, and social context shape a text's meaning. She teaches students to move from surface-level plot summary to constructing original interpretive arguments, whether they're...

An avid reader who lists books among his main hobbies, Charles approaches literature by teaching students to build arguments from the text itself — tracing how a symbol shifts meaning across chapters or how an author's sentence structure creates tone. His analytical engineering mindset pairs surpris...

An avid reader of classic literature, Christopher approaches texts by teaching students to trace motifs, analyze narrative perspective, and unpack how an author's choices create meaning. His background spans poetry, novels, and drama, and he treats close reading as a skill that sharpens with deliber...

Reading literature well means doing more than following the plot — it means noticing how an unreliable narrator shifts tone, or why an author chose a particular image to close a chapter. Liz earned her BA in History with a Humanities minor at Washington University in St. Louis, where analyzing prima...

Literary analysis asks students to do something uncomfortable: slow down and argue about why an author made a specific choice. Michelle approaches texts by teaching close reading techniques — examining diction, imagery, and narrative structure — and then building those observations into a defensible...

Reading literature closely is really an exercise in argument — figuring out what a text is doing, not just what it says, and then building a case with evidence from the page. Justin's background in philosophy and his experience with essay editing give him a sharp eye for how to construct a literary ...

Studying Korean language and culture alongside biomedical engineering gave Ingrid an unusual lens for literary analysis — she's comfortable unpacking symbolism in a novel and equally comfortable building a structured, evidence-driven argument about it. She teaches students to read closely for motifs...

Reading closely — tracking symbols, unreliable narrators, shifts in tone — is a skill that sharpens with practice and the right questions. Andrew's background spans both STEM and the humanities; his longtime love of books and writing means he approaches literary analysis with genuine enthusiasm rath...

Isabella's minor in Ancient and Medieval Studies at MIT means she spent years doing close readings of dense, unfamiliar texts — exactly the skill that transfers to analyzing literature at any level. She teaches students to unpack how an author's choices in structure, diction, and imagery build meani...

Literary analysis isn't about having the "right" interpretation — it's about building an argument from the text itself, using evidence like imagery, narrative structure, and dialogue to support a claim. Asta's training at the University of Chicago, where close reading and persuasive writing were cen...

Reading a poem or novel closely means asking what the author is actually arguing — about human nature, power, identity — and then tracing how literary devices serve that argument. That's the same interpretive work Justin does daily as a philosophy graduate student at the University of New Mexico, an...