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Annessa

Annessa

Bachelors, English and History
Kentucky Wesleyan College, Stony Brook University

About Me

I am an adjunct professor and freelance writer with a PhD in history. I write and teach a lot about women's studies, cultural history, and transnational studies with a particular emphasis on the Modern Middle East and US-Turk relations. As for teaching and outreach: Ive found that making the material pertinent and connecting it to who you are and where you want to be will make it come alive. Hence, in tutoring and teaching I enjoy teasing out the material into a story. That way we have something to entertain us as we build a timeline and craft a memory of the past, of peoples, and of communities. I'm also the author of numerous books, the most recent being Comics as History, Comics as Literature and book chapters, reference entries, book reviews, and journal articles. My busy publication career deals extensively on nationalism, womens rights, women's liberation, Turkish-US relations, transnational feminism, and travel literature. Most recently I completed two smaller pieces: Failing New Women: Anne Shirleys Legacy, The New Woman, and World War I and Importing the Ethnic: Voyeurism on Your Dinner Plate (concerning the permeation of American Chinese food). Both are due out in the ensuing year, and both were absolute fun to write. In teaching and writing I like to focus on how to engage and make the story come to life. I also publish travel literature and some fiction outside of academia and serve as co-chair of the European Association of American Studies Women's Steering Committee. This past summer I crafted travel writing while spelunking in the Iowas Women's Archives and the Oregon State University Archives, as my co-writer and I have been crafting a discursive examination of food safety, activism, and grassroots women's voices. This project Safety For Our Souls has received funding from several libraries. That being said . . . the fuel that makes this endless hard work worthwhile is engaging students and building skills in creative ways that make the mundane really feel less like work and more like an excursion into something entertaining.

Education & Certifications

Kentucky Wesleyan College
Bachelors, English and History
Stony Brook University
PHD, History

Q&A with Annessa

As an instructor--from composition to history based courses--my goal has always been to engage the student on a fundamental level. A student can only be inspired if he or she feels that spark from the professor, in a genuine and tangible way. To be a tad cliche, the student needs to feel empowered. Empowerment from knowledge, skill, and understanding will take that student beyond the safe walls of a classroom and enable him or her to translate book knowledge into real-world products. Of course, capturing the students can be daunting, challenging, and a battle of persistence, but the most intellectually stimulating classes--and personally invigorating for me--have been the ones that force me out of my own comfort zone and when I push students out of theirs. Anyone who has ever taught a history course has heard, "I don't like history."? Of course, we can all regurgitate diatribes from students. Though, surpassing the barrier is tricky. What to do? I convey history as a multi-layered story, with deceit, destruction, and dismay as hooks per se. I tell the students that we are not looking at memorizing rote facts. Instead, the material needs to connect to the students on some level, in a tangible way, or them to connect, engage, and use elements of critical thought to make to come to life. I admit to students that I know they may not become a historian but they will need the skills I teach. A banker needs to understand balances, the value of documents, and how to layer material together to get a clearer, more accurate picture of someone requesting money. I remind students that just because someone has a large and steady income does not mean that person is reliable for payments. The last time I used this example in class, the group I had diverged into a comparison of politicians, and since we were looking at Yellow Journalism and Progressive Reforms they did a wonderful job of looking at documents for content value versus face value. I particularly enjoy using advertisements or drawing from the era to lure students into the story. The visual, and tangible, image works to help--and force--them to place that placard within its circumstances and create a story for it. This atmosphere, in general, creates a thriving sense of development while encouraging and demanding growth. Lecture components are key to the course, as they convey the material expected. Yet, as I integrate learning platforms as an extension of the material videos, news articles (current and older), and other multimedia aspects enhance the student's learning experience. The visual learner is stimulated with images and textured material that engages his or her core. Of course, the auditory material and written text round out the experience that connect the classroom as an extension of daily life in lieu of an aside to it. Though, to make the classes more dynamic discussion falls as another essential element.

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