Reasoning Within The Text>Internal Consistency Practice Test
•17 QuestionsWhen museum professionals say they resist blockbuster logic, they are defending curatorial independence from the gravitational pull of attendance counts. At our institution, that independence is not a slogan but a firewall: curators do not see weekly footfall reports, nor do attendance targets enter into our exhibition meetings. We are of course accountable to the public, but we understand accountability as fidelity to inquiry rather than responsiveness to headcounts. We turned down a travelling exhibition guaranteed to sell tickets because it demanded narrative compromises that would have misled visitors about the period it treated. To make such refusals sustainable, we draw on what we call engagement evidence—dwell-time observations, exit-interview transcripts, and a repeat-visit index—to evaluate whether our scholarship is legible without diluting its substance. Engagement evidence is not a back door for crowd-chasing; it is categorically different from attendance.
The difference matters. Attendance quantifies how many people cross a threshold; engagement evidence concerns how minds meet ideas. A family may spend ten minutes in a gallery and return three times in a season without swelling a Saturday headcount or satisfying a popularity metric. When we launched Play and Paint, a weekend program that invites children to connect technique with interpretation, we did so because engagement measures indicated families were spending less time with object labels than we hoped. That is not an attendance problem; it is a communication opportunity. The engagement indices in question emerge from unobtrusive observation and voluntary feedback, not turnstile tallies. We expanded Sunday hours last winter for reasons of staffing and visitor comfort, but those operational shifts are insulated from the content of our shows.
Critics sometimes conflate any use of data with capitulation to market demand. That is a mistake. Audience research can clarify how to structure wall texts and when to schedule docent talks without dictating what works we show or which arguments we advance. We do not forecast admissions to decide themes, nor do we recalibrate acquisitions to match projected blockbusters. The lesson of the past decade is that crowd-pleasing exhibitions can also be thin ones; the lesson of our recent seasons is that rigor attracts a public willing to work. The point is not to disdain popularity; it is to refuse its rule. So yes, we count visitors at the door for security and climate control, but our curatorial practice is steered by engagement evidence that is, by design, unrelated to the very attendance figures that crowd-pleasers chase.
Which of the following, if true, would call into question the consistency of the passage?
Which of the following, if true, would call into question the consistency of the passage?