Visual Arts and Design Practice Test

Read this passage: In ikebana (flower arranging), the goal is not abundance but attentive placement. Originating in temple offerings, it developed into a refined practice shaped by schools like Ikenobo during the Muromachi era. Arrangements often use three main lines to suggest heaven, earth, and humanity, leaving purposeful empty space. This restraint reflects simplicity and asymmetry, where a single branch may carry the visual weight. The beauty comes from balance without mirroring, and from allowing natural bends to remain visible. What aesthetic principle is highlighted in the art of ikebana?

Read this passage: Ikebana (flower arranging) grew from Buddhist altar offerings into a disciplined art during the Muromachi period. The Ikenobo school helped establish rules that value restraint, open space, and carefully chosen angles. Instead of filling a vase, artists highlight a few stems, letting each curve suggest wind or water. This approach prizes simplicity and asymmetry, inviting viewers to contemplate what is absent as much as present. Based on the description of ikebana, which school is associated with ikebana as discussed in the passage?