AP English Literature and Composition › Contexts of British Plays to 1660
KING: … Hieronimo, it greatly pleaseth us
That in our victory thou have a share
By virtue of thy worthy son’s exploit.
… Bring hither the young prince of Portingale!
The rest march on, but, ere they be dismissed,
We will bestow on every soldier
Two ducats, and on every leader ten,
That they may know our largesse welcomes them.
Exeunt all \[the army\] but BALTHAZAR,
LORENZO, and HORATIO.
What genre of play is this?
revenge
morality
mystery
blackface minstrel
Restoration comedy
Revenge plays are works typically written during the Elizabethan and early Jacobean periods wherein a protagonist seeks vengeance, pursuing a path that often leads to madness and/or ruin. The Spanish Tragedy features the character Hieronimo’s attempts to avenge his son Horatio, who was killed by Lorenzo, the scheming nephew of the king of Portugal.
Passage adapted from Thomas Kyd’s The Spanish Tragedy (1587)
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
What historical document served as a basis for this play’s storyline?
Holinshed’s Chronicles of England, Scotland, and Ireland
Herodotus’ Histories
The Domesday Book
Gibbon’s The History of the Decline and Fall of the Roman Empire
The Magna Carta
Raphael Holinshed’s Chronicles of England, Scotland, and Ireland (1587) contains an account of real Scottish historical figures called Macbeth, Macduff, and Duncan. The story of Shakespeare’s play differs considerably from Holinshed’s story, though.
Herodotus' The Histories (440 BCE), The Domesday Book (1086), Edward Gibbon’s The History of the Decline and Fall of the Roman Empire (1776), and The Magna Carta (1215) were all used as alternate answer choices.
But full of fire and greedy hardiment,
The youthfull knight could not for ought be staide,
But forth unto the darksome hole he went,
And looked in: his glistring armor made
A litle glooming light, much like a shade,
By which he saw the ugly monster plaine,
Halfe like a serpent horribly displaide,
But th'other halfe did womans shape retaine,
Most lothsom, filthie, foule, and full of vile disdaine.
The author of the poem was a contemporary of __________.
William Shakespeare
John Milton
Caedmon
Geoffrey Chaucer
John Skelton
The excerpt is taken from a poem by Edmund Spenser, who lived during the second half of the sixteenth century. Though he was a contemporary of Early Modern poets like William Shakespeare and Christopher Marlowe, Spenser utilized deliberately archaic language that may seem like something that one would be more likely to find in Chaucer's poetry.
Passage adapted from The Faerie Queene by Edmund Spenser, I.xiv.1-9 (1590)
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
Which of the following characters is not from this play?
Iago
Ariel
Miranda
Prospero
Caliban
Iago is a character in Shakespeare’s Othello (1622), not from The Tempest (1623).
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
Which of the following dystopian novels takes its title from a line in this play?
Brave New World
Catch-22
A Clockwork Orange
1984
Lord of the Flies
Aldous Huxley’s Brave New World (1932)takes its title from lines that Miranda speaks in Act V scene 1 of the play: “Oh, wonder! / How many goodly creatures are there here! / How beauteous mankind is! O brave new world, / That has such people in ’t!”
Joseph Heller's Catch 22 (1961), Anthony Burgess's A Clockwork Orange (1962), George Orwell's 1984 (1949), and William Golding's Lord of the Flies (1954) were all used as alternate answer choices.
The story told in William Shakespeare's Romeo and Juliet is often thought to be derived from the story of __________.
Pyramus and Thisbe from Ovid's Metamorphoses
Lancelot and Guinevere from Lancelot, the Knight of the Cart by Chretien de Troyes
Samson and Delilah from the Bible
Orpheus and Eurydice from Ovid's Metamorphoses
Dido and Aeneas from the Aeneid, by Virgil
The general consensus among scholars reflects that Shakespeare derived his story and main characters for Romeo and Juliet from Ovid's story of Pyramus and Thisbe. The story of Pyramus and Thisbe depicts two tragic lovers who are separated by their families, who do not approve of their marriage. They communicate their love through a cement wall and plan to meet under a tree outside to confess their love. However, when Thisbe comes out first, she mistakes the blood of a lion for Pyramus' blood and, believing he had been killed, kills herself.
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
When was this play first published?
The Tempest was first published in 1623 in the First Folio. Many scholars believe that it is the last play Shakespeare wrote. The play was probably first performed in 1611, but was not published until 1623.
O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her waggon-spokes made of long spinners' legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's web,
The collars of the moonshine's watery beams…
Which of the following films or plays is not based on this play?
Angels in America
West Side Story
Shakespeare in Love
Killer Joe
The Bad Infinity
Only Tony Kushner’s 1993 play Angels in America does not follow the storyline of Romeo and Juliet (1597). All the other works adopt the tragic story of two lovers whose families are sworn enemies, employing different character names and settings to investigate many of the same themes.
The similarities and resonances between Shakespeare in Love (1998) do not extend far past the use of Shakespeare's name in the title.
Arthur Laurents's West Side Story(1961), Tracy Letts' Killer Joe (1993), and Mac Wellman's Bad Infinity (1983) were all used as alternative answer choices.
KING: … Hieronimo, it greatly pleaseth us
That in our victory thou have a share
By virtue of thy worthy son’s exploit.
… Bring hither the young prince of Portingale!
The rest march on, but, ere they be dismissed,
We will bestow on every soldier
Two ducats, and on every leader ten,
That they may know our largesse welcomes them.
Exeunt all \[the army\] but BALTHAZAR,
LORENZO, and HORATIO.
Which of the following plays is not another example of this genre?
Volpone
Titus Andronicus
Hamlet
Gorboduc
The Duchess of Malfi
Main characters spend the play seeking revenge in all of the above works except Ben Jonson’s 1606 satire Volpone, which is a vicious, incisive comedy. While mean-spirited, Volpone is more concerned with satirical skewering than revenge plots.
William Shakespeare's Titus Andronicus (1594) and Hamlet (1603), Thomas Norton and Thomas Sackville's Gorboduc (1561), and John Webster's The Duchess of Malfi (1614) were all used as alternative answer options. They are all revenge tragedies.
Passage adapted from Thomas Kyd’s The Spanish Tragedy (1587)
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
What is the setting of this play?
Scotland
Denmark
ancient Egypt
Verona, Italy
Venice, Italy
Macbeth (1623)is set in Scotland. (Shakespeare’s Hamlet (1604)is set in Denmark, Antony and Cleopatra (1623)is set in ancient Egypt, Romeo and Juliet (1597)is set in Verona, and Othello (1622) is set partly in Venice.)