PSAT Writing › Improving Paragraphs
In Swift's other works is found an equable tenor of easy language, which rather trickles than flows. His delight was in simplicity. That he has in his works no metaphor, as has been said, is not true; but his few metaphors seem to be received rather by necessity than choice. He studied purity; and though perhaps all his strictures are not exact, yet it is not often that solecisms can be found; and whoever depends on his authority may generally conclude himself safe. His sentences are never too much dilated or contracted; and it will not be easy to find any embarrassment in the complication of his clauses, any inconsequence in his connections, or abruptness in his transitions.
How can the significance of the underlined sentence to the overall passage best be described?
The underlined sentence explains how Swift's way of structuring sentences is an example of simplicity.
The underlined sentence explains how Swift's metaphors are an example of simplicity.
The underlined sentence explains how Swift's easy language is an example of simplicity.
The underlined sentence explains how Swift's authority is an example of simplicity.
The underlined sentence has to do with the simplicity of Swift's sentence structure, as is demonstrated by the references to "clauses," "connections," and "transitions."
(Passage adapted from "Swift" in Volume III of Lives of the Most Eminent English Poets by Samuel Johnson, 1781)
(1) In spite of the numerous museums and schools dedicated to its appreciation, modern art still has yet to achieve the level of popular appreciation that many other art forms experience. (2) Many remain critical of the so-called "non-figurative" turn of European art that occurred in the latter part of the nineteenth and early part of the twentieth century that has had such a profound impact on art production since. (3) Contributing artists Van Gogh, Cézanne and Kandinsky each experimented with constitutive aspects of art works. (4) That is to say, they focused on issues such as how light interacts with objects, how depictions of visual space in a work tease normal perceptual capacities, or how color induces emotional responses. (5) Although they didn't always focus on the "realistic" depiction of figures in a pictorial scene, they nevertheless made significant and lasting contributions to how we think about the techniques and aspects that make up art objects and practice.
How can the significance of the underlined sentence to the overall paragraph best be described?
The underlined sentence illustrates the experimental contributions that each of the individual artists listed in the sentence before it made to modern art.
The underlined sentence explains why these figures of modern art have not received the appreciation that they so deserve.
The underlined sentence lists the contributions that museums and schools have since been dedicated to preserve and protect.
The artistic approaches listed in the underlined sentence explain the necessity for the non-figurative turn in European art.
The underlined sentence provides three reasons for which it makes little sense to talk of a consolidated and abstract notion such as "modern art."
That "the underlined sentence illustrates the experimental contributions that each of the individual artists listed in the sentence before it made to modern art" is the best answer here because the other claims are either unjustified or inadequate.
Those who would gladly pass their days together may be separated by the different course of their affairs; and friendship, like love, is destroyed by long absence, though it may be increased by short intermissions. What we have missed long enough to want it, we value more when it is regained; but that which has been lost till it is forgotten, will be found at last with little gladness, and with still less if a substitute has supplied the place. A man deprived of the companion to whom he used to open his bosom, and with whom he shared the hours of leisure and merriment, feels the day at first hanging heavy on him; his difficulties oppress, and his doubts distract him; he sees time come and go without his wonted gratification, and all is sadness within, and solitude about him. But this uneasiness never lasts long; necessity produces expedients, new amusements are discovered, and new conversation is admitted.
How can the significance of the underlined sentence to the overall passage best be described?
It explains how all of the troubles following the loss of a friend soon pass.
It explains how all of the troubles following the loss of a friend do not end quickly.
It explains how all of the troubles following the loss of a friend are exercerbated by new amusements and conversations.
It explains how all of the troubles following the loss of a friend cannot be ameliorated by new amusements and conversations.
After listing the many problems that follow the loss of a friend, the passage ends with a sentence that shows that these problems soon pass when a person finds new amusements and conversations.
(Sentence adapted from "The Decay of Friendship" in Issue 23 of The Idler by Samuel Johnson, September 23rd, 1758.)
(1) In spite of the numerous museums and schools dedicated to its appreciation, modern art still has yet to achieve the level of popular appreciation that many other art forms experience. (2) Many remain critical of the so-called "non-figurative" turn of European art that occurred in the latter part of the nineteenth and early part of the twentieth century that has had such a profound impact on art production since. (3) Contributing artists Van Gogh, Cézanne and Kandinsky each experimented with constitutive aspects of art works. (4) That is to say, they focused on issues such as how light interacts with objects, how depictions of visual space in a work tease normal perceptual capacities, or how color induces emotional responses. (5) Although they didn't always focus on the "realistic" depiction of figures in a pictorial scene, they nevertheless made significant and lasting contributions to how we think about the techniques and aspects that make up art objects and practice.
How can the significance of the underlined sentence to the overall paragraph best be described?
The underlined sentence illustrates the experimental contributions that each of the individual artists listed in the sentence before it made to modern art.
The underlined sentence explains why these figures of modern art have not received the appreciation that they so deserve.
The underlined sentence lists the contributions that museums and schools have since been dedicated to preserve and protect.
The artistic approaches listed in the underlined sentence explain the necessity for the non-figurative turn in European art.
The underlined sentence provides three reasons for which it makes little sense to talk of a consolidated and abstract notion such as "modern art."
That "the underlined sentence illustrates the experimental contributions that each of the individual artists listed in the sentence before it made to modern art" is the best answer here because the other claims are either unjustified or inadequate.
(1) Kabuki performances first appeared in 1603, when a woman named Izumo no Okuni began performing a new style of drama and dance routines outside of Kyoto. (2) This new form of entertainment quickly got popular throughout Japan.
(3) Kabuki was known for its extravagant costumes and elaborate make-up. (4) The stage was what really set it apart from other forms of theater at the time. (5) It included a walkway protruding from the stage out through the audience. (6) Actors would use this walkway to make surprise entrances. (7) More advanced features were added, such as rotating stages and trapdoors to lift actors onto or down from the stage almost instantly. (8) All of these were used to create dramatic emphasis.
Which of these sentences, inserted after Sentence 8, would provide the best conclusion to the passage?
Over time, more innovations were added, and kabuki theater continues to thrill Japanese audiences to this day.
I hope to travel to Japan some day to see a live kabuki performance.
The exaggerated expressions painted on the actors' faces identify them to the audience as the protagonist or the villain.
Some kabuki actors became well-known celebrities.
These stages were more advanced than the ones used in European theaters in the seventeenth century.
The sentence "Over time, more innovations were added, and kabuki theater continues to thrill Japanese audiences to this day" is the best conclusion because it transitions from the discussion of the stage innovations and sums up both the popularity and longevity of kabuki theater. Of the other choices, a first-person statement doesn't fit the overall tone, the comparison to European theaters is not what the passage is about, and the other two are more specific details that do not summarize the point of the passage.
(1) Cowboys have long been a symbol in American society. (2) On the one hand, they represent American strength, adventurousness, and indefatigability. (3) But they also call up images of oppression, racism, and exploitation. (4) However, both of these romanticized views of cowboys betray the dull routine and everyday realities of the lives that many cowboys lived.
(5) Some cowboys worked at the same farms for much of their lives, while others periodically moved cattle from place to place without ever participating in a gun fight or being harangued by unexpected or hidden enemies. (6) Today, their figurative descendants can still be found living in agricultural areas, working hard to ensure that steady supplies of milk, meat and other agricultural products find their ways to stores and your dining room table.
Which of the following would be the best spot to insert the sentence "Many times, they dealt with disease, hunger and loneliness."?
Between Sentence 5 and Sentence 6
Between Sentence 3 and Sentence 4
Before Sentence 1
Before Sentence 5
Between Sentence 2 and Sentence 3
"Between Sentences 5 and 6" is the best answer because Sentence 5 marks the beginning of the description of the real life of the cowboy, while Sentence 6 focuses more on the contemporary existence of people that fit the cowboy image. The clause being inserted refers to the past lives of the cowboys but is not necessarily part of the idealized image in the first paragraph, excluding this location as a possibility.
In Swift's other works is found an equable tenor of easy language, which rather trickles than flows. His delight was in simplicity. That he has in his works no metaphor, as has been said, is not true; but his few metaphors seem to be received rather by necessity than choice. He studied purity; and though perhaps all his strictures are not exact, yet it is not often that solecisms can be found; and whoever depends on his authority may generally conclude himself safe. His sentences are never too much dilated or contracted; and it will not be easy to find any embarrassment in the complication of his clauses, any inconsequence in his connections, or abruptness in his transitions.
How can the significance of the underlined sentence to the overall passage best be described?
The underlined sentence explains how Swift's way of structuring sentences is an example of simplicity.
The underlined sentence explains how Swift's metaphors are an example of simplicity.
The underlined sentence explains how Swift's easy language is an example of simplicity.
The underlined sentence explains how Swift's authority is an example of simplicity.
The underlined sentence has to do with the simplicity of Swift's sentence structure, as is demonstrated by the references to "clauses," "connections," and "transitions."
(Passage adapted from "Swift" in Volume III of Lives of the Most Eminent English Poets by Samuel Johnson, 1781)
(1) Cowboys have long been a symbol in American society. (2) On the one hand, they represent American strength, adventurousness, and indefatigability. (3) But they also call up images of oppression, racism, and exploitation. (4) However, both of these romanticized views of cowboys betray the dull routine and everyday realities of the lives that many cowboys lived.
(5) Some cowboys worked at the same farms for much of their lives, while others periodically moved cattle from place to place without ever participating in a gun fight or being harangued by unexpected or hidden enemies. (6) Today, their figurative descendants can still be found living in agricultural areas, working hard to ensure that steady supplies of milk, meat and other agricultural products find their ways to stores and your dining room table.
Which of the following would be the best spot to insert the sentence "Many times, they dealt with disease, hunger and loneliness."?
Between Sentence 5 and Sentence 6
Between Sentence 3 and Sentence 4
Before Sentence 1
Before Sentence 5
Between Sentence 2 and Sentence 3
"Between Sentences 5 and 6" is the best answer because Sentence 5 marks the beginning of the description of the real life of the cowboy, while Sentence 6 focuses more on the contemporary existence of people that fit the cowboy image. The clause being inserted refers to the past lives of the cowboys but is not necessarily part of the idealized image in the first paragraph, excluding this location as a possibility.
(1) Kabuki performances first appeared in 1603, when a woman named Izumo no Okuni began performing a new style of drama and dance routines outside of Kyoto. (2) This new form of entertainment quickly got popular throughout Japan.
(3) Kabuki was known for its extravagant costumes and elaborate make-up. (4) The stage was what really set it apart from other forms of theater at the time. (5) It included a walkway protruding from the stage out through the audience. (6) Actors would use this walkway to make surprise entrances. (7) More advanced features were added, such as rotating stages and trapdoors to lift actors onto or down from the stage almost instantly. (8) All of these were used to create dramatic emphasis.
Which of these sentences, inserted after Sentence 8, would provide the best conclusion to the passage?
Over time, more innovations were added, and kabuki theater continues to thrill Japanese audiences to this day.
I hope to travel to Japan some day to see a live kabuki performance.
The exaggerated expressions painted on the actors' faces identify them to the audience as the protagonist or the villain.
Some kabuki actors became well-known celebrities.
These stages were more advanced than the ones used in European theaters in the seventeenth century.
The sentence "Over time, more innovations were added, and kabuki theater continues to thrill Japanese audiences to this day" is the best conclusion because it transitions from the discussion of the stage innovations and sums up both the popularity and longevity of kabuki theater. Of the other choices, a first-person statement doesn't fit the overall tone, the comparison to European theaters is not what the passage is about, and the other two are more specific details that do not summarize the point of the passage.
Those who would gladly pass their days together may be separated by the different course of their affairs; and friendship, like love, is destroyed by long absence, though it may be increased by short intermissions. What we have missed long enough to want it, we value more when it is regained; but that which has been lost till it is forgotten, will be found at last with little gladness, and with still less if a substitute has supplied the place. A man deprived of the companion to whom he used to open his bosom, and with whom he shared the hours of leisure and merriment, feels the day at first hanging heavy on him; his difficulties oppress, and his doubts distract him; he sees time come and go without his wonted gratification, and all is sadness within, and solitude about him. But this uneasiness never lasts long; necessity produces expedients, new amusements are discovered, and new conversation is admitted.
How can the significance of the underlined sentence to the overall passage best be described?
It explains how all of the troubles following the loss of a friend soon pass.
It explains how all of the troubles following the loss of a friend do not end quickly.
It explains how all of the troubles following the loss of a friend are exercerbated by new amusements and conversations.
It explains how all of the troubles following the loss of a friend cannot be ameliorated by new amusements and conversations.
After listing the many problems that follow the loss of a friend, the passage ends with a sentence that shows that these problems soon pass when a person finds new amusements and conversations.
(Sentence adapted from "The Decay of Friendship" in Issue 23 of The Idler by Samuel Johnson, September 23rd, 1758.)