Multiple Genres: Analyzing How Characters Internal And External Responses Develop The Plot (TEKS.ELA.6.7.B) Practice Test
•18 QuestionsMaya stood behind the velvet curtain, clutching her cello case as the audition list rustled in the director's hands. Her palms tingled. If I wait, I'll only get shakier, she thought, hearing the faint buzz of the auditorium lights. When the director asked who would like to go first, the room froze. Maya felt her heart skip, then she lifted her hand before she could talk herself out of it. Heads turned. She set the endpin, tuned the A string with a tiny twist, and took one long breath. You know this piece, she told herself. The first notes wobbled, but she leaned into the bow, riding the melody until it steadied. Out in the dark, someone shifted; the director's pencil paused. When she reached the tricky run, her fingers wanted to flee. Don't rush. Place every note. She slowed a hair, and the phrase landed like a smile. As the last note faded, Maya lowered her bow, surprised to find that her knees had stopped trembling.
How does the character's response affect the plot?
How does the character's response affect the plot?