Identifying Artists, Works, and Schools of Renaissance 2D Visual Art - CLEP Humanities

Hans Holbein the Younger made a name for himself by painting nearly every figure associated with the court of the English king Henry VIII. In doing so, he helped pioneer a new use of perspective in his portraits. Holbein's work helped push Renaissance art to new places simply through portraits.

Jan van Eyck was a transformative figure in European painting, as his approach to painting depended on realism and a naturalistic viewpoint. His Ghent Altarpiece, also called The Lamb of God, was a departure from Medieval standards that typically valued idealization and symbolism in religious imagery. Van Eyck, who lived from 1390 to 1441, had an outsized influence on the artistic transformations that occurred during the Renaissance.

Michelangelo (1475-1564) is often considered the prototypical "Renaissance man," along with Leonardo da Vinci, thanks to his key involvement in painting, sculpture, and design. Michelangelo was one of the earliest painters to use realistic imagery, forced perspective, and an enhanced use of color. His work was key in the development of Renaissance themes like a return to classical motifs, a sense of grandeur, and the use of scientific knowledge in the arts.

The Vitruvian Man was drawn by Leonardo da Vinci, a contemporary rival of Michelangelo. Michelangelo was commissioned to paint the ceiling of the Sistine Chapel, which included the famous Creation of Adam image. The Last Judgment is also in the Sistine Chapel, though it was painted almost 30 years after the ceiling. The Crucifixion of St. Peter was also one of Michelangelo's later works. Both Michelangelo and da Vinci were commissioned to design paintings for the city of Florence, thus Michelangelo drew the plan for the Battle of Cascina, though the final painting was never completed.

The Garden of Earthly Delights, painted between 1490 and 1510, is a highly idiosyncratic and complicated triptych of the Garden of Eden, earthly pleasures, and their subsequent punishment in a hell-like atmosphere. The religious overtones and multi-faceted story are features of most paintings by Hieronymus Bosch, who was an early Netherlandish painter during the Renaissance. Bosch's painting, now in the Museo del Prado in Madrid, was highly influential for its depiction of human forms, its allegorical tales, and its peculiar form of storytelling.

Hans Holbein the Younger made a name for himself by painting nearly every figure associated with the court of the English king Henry VIII. In doing so, he helped pioneer a new use of perspective in his portraits. Holbein's work helped push Renaissance art to new places simply through portraits.

Jan van Eyck was a transformative figure in European painting, as his approach to painting depended on realism and a naturalistic viewpoint. His Ghent Altarpiece, also called The Lamb of God, was a departure from Medieval standards that typically valued idealization and symbolism in religious imagery. Van Eyck, who lived from 1390 to 1441, had an outsized influence on the artistic transformations that occurred during the Renaissance.

Michelangelo (1475-1564) is often considered the prototypical "Renaissance man," along with Leonardo da Vinci, thanks to his key involvement in painting, sculpture, and design. Michelangelo was one of the earliest painters to use realistic imagery, forced perspective, and an enhanced use of color. His work was key in the development of Renaissance themes like a return to classical motifs, a sense of grandeur, and the use of scientific knowledge in the arts.

The Vitruvian Man was drawn by Leonardo da Vinci, a contemporary rival of Michelangelo. Michelangelo was commissioned to paint the ceiling of the Sistine Chapel, which included the famous Creation of Adam image. The Last Judgment is also in the Sistine Chapel, though it was painted almost 30 years after the ceiling. The Crucifixion of St. Peter was also one of Michelangelo's later works. Both Michelangelo and da Vinci were commissioned to design paintings for the city of Florence, thus Michelangelo drew the plan for the Battle of Cascina, though the final painting was never completed.

The Garden of Earthly Delights, painted between 1490 and 1510, is a highly idiosyncratic and complicated triptych of the Garden of Eden, earthly pleasures, and their subsequent punishment in a hell-like atmosphere. The religious overtones and multi-faceted story are features of most paintings by Hieronymus Bosch, who was an early Netherlandish painter during the Renaissance. Bosch's painting, now in the Museo del Prado in Madrid, was highly influential for its depiction of human forms, its allegorical tales, and its peculiar form of storytelling.

Hans Holbein the Younger made a name for himself by painting nearly every figure associated with the court of the English king Henry VIII. In doing so, he helped pioneer a new use of perspective in his portraits. Holbein's work helped push Renaissance art to new places simply through portraits.

Jan van Eyck was a transformative figure in European painting, as his approach to painting depended on realism and a naturalistic viewpoint. His Ghent Altarpiece, also called The Lamb of God, was a departure from Medieval standards that typically valued idealization and symbolism in religious imagery. Van Eyck, who lived from 1390 to 1441, had an outsized influence on the artistic transformations that occurred during the Renaissance.

Michelangelo (1475-1564) is often considered the prototypical "Renaissance man," along with Leonardo da Vinci, thanks to his key involvement in painting, sculpture, and design. Michelangelo was one of the earliest painters to use realistic imagery, forced perspective, and an enhanced use of color. His work was key in the development of Renaissance themes like a return to classical motifs, a sense of grandeur, and the use of scientific knowledge in the arts.

The Vitruvian Man was drawn by Leonardo da Vinci, a contemporary rival of Michelangelo. Michelangelo was commissioned to paint the ceiling of the Sistine Chapel, which included the famous Creation of Adam image. The Last Judgment is also in the Sistine Chapel, though it was painted almost 30 years after the ceiling. The Crucifixion of St. Peter was also one of Michelangelo's later works. Both Michelangelo and da Vinci were commissioned to design paintings for the city of Florence, thus Michelangelo drew the plan for the Battle of Cascina, though the final painting was never completed.

The Garden of Earthly Delights, painted between 1490 and 1510, is a highly idiosyncratic and complicated triptych of the Garden of Eden, earthly pleasures, and their subsequent punishment in a hell-like atmosphere. The religious overtones and multi-faceted story are features of most paintings by Hieronymus Bosch, who was an early Netherlandish painter during the Renaissance. Bosch's painting, now in the Museo del Prado in Madrid, was highly influential for its depiction of human forms, its allegorical tales, and its peculiar form of storytelling.

Hans Holbein the Younger made a name for himself by painting nearly every figure associated with the court of the English king Henry VIII. In doing so, he helped pioneer a new use of perspective in his portraits. Holbein's work helped push Renaissance art to new places simply through portraits.

Jan van Eyck was a transformative figure in European painting, as his approach to painting depended on realism and a naturalistic viewpoint. His Ghent Altarpiece, also called The Lamb of God, was a departure from Medieval standards that typically valued idealization and symbolism in religious imagery. Van Eyck, who lived from 1390 to 1441, had an outsized influence on the artistic transformations that occurred during the Renaissance.

Michelangelo (1475-1564) is often considered the prototypical "Renaissance man," along with Leonardo da Vinci, thanks to his key involvement in painting, sculpture, and design. Michelangelo was one of the earliest painters to use realistic imagery, forced perspective, and an enhanced use of color. His work was key in the development of Renaissance themes like a return to classical motifs, a sense of grandeur, and the use of scientific knowledge in the arts.

The Vitruvian Man was drawn by Leonardo da Vinci, a contemporary rival of Michelangelo. Michelangelo was commissioned to paint the ceiling of the Sistine Chapel, which included the famous Creation of Adam image. The Last Judgment is also in the Sistine Chapel, though it was painted almost 30 years after the ceiling. The Crucifixion of St. Peter was also one of Michelangelo's later works. Both Michelangelo and da Vinci were commissioned to design paintings for the city of Florence, thus Michelangelo drew the plan for the Battle of Cascina, though the final painting was never completed.