Function of Character Change: Fiction/Drama Practice Test
•15 QuestionsIn the following excerpt from an original drama, Captain Reyes interviews Niko, a young firefighter, after a warehouse blaze. Niko disobeyed orders to search for a rumored squatter and found no one, nearly trapping the crew. Read the passage and answer the question.
REYES: Sit.
NIKO: I’d rather stand.
REYES: That’s not a choice I’m offering.
NIKO: Yes, ma’am.
REYES: You went in after I called you back.
NIKO: I heard you.
REYES: Then why?
NIKO: Because there was a voice.
REYES: There was a rumor.
NIKO: I heard something.
REYES: You heard your own blood.
NIKO: I heard— (stops)
REYES: Finish the sentence.
NIKO: I heard my brother.
REYES: Your brother is not in that building.
NIKO: He was in a building once.
REYES: And you weren’t there.
NIKO: No.
REYES: So you keep trying to be there now.
NIKO: If I can pull one person out—
REYES: You can kill four.
NIKO: I can’t just leave.
REYES: You can, and you must.
NIKO: That’s not what we do.
REYES: It is exactly what we do. We do math with lives.
NIKO: I don’t.
REYES: You will.
NIKO: Or I quit.
REYES: You won’t.
NIKO: Watch me.
REYES: You think defiance makes you brave. It makes you predictable.
NIKO: And you think rules make you safe. They just make you able to sleep.
REYES: I sleep because my crew wakes up.
NIKO: (voice smaller) I didn’t mean—
REYES: Yes, you did.
NIKO: (after a beat) What happens now?
REYES: Now you learn to come back.
The bolded exchange chiefly serves to
In the following excerpt from an original drama, Captain Reyes interviews Niko, a young firefighter, after a warehouse blaze. Niko disobeyed orders to search for a rumored squatter and found no one, nearly trapping the crew. Read the passage and answer the question.
REYES: Sit.
NIKO: I’d rather stand.
REYES: That’s not a choice I’m offering.
NIKO: Yes, ma’am.
REYES: You went in after I called you back.
NIKO: I heard you.
REYES: Then why?
NIKO: Because there was a voice.
REYES: There was a rumor.
NIKO: I heard something.
REYES: You heard your own blood.
NIKO: I heard— (stops)
REYES: Finish the sentence.
NIKO: I heard my brother.
REYES: Your brother is not in that building.
NIKO: He was in a building once.
REYES: And you weren’t there.
NIKO: No.
REYES: So you keep trying to be there now.
NIKO: If I can pull one person out—
REYES: You can kill four.
NIKO: I can’t just leave.
REYES: You can, and you must.
NIKO: That’s not what we do.
REYES: It is exactly what we do. We do math with lives.
NIKO: I don’t.
REYES: You will.
NIKO: Or I quit.
REYES: You won’t.
NIKO: Watch me.
REYES: You think defiance makes you brave. It makes you predictable.
NIKO: And you think rules make you safe. They just make you able to sleep.
REYES: I sleep because my crew wakes up.
NIKO: (voice smaller) I didn’t mean—
REYES: Yes, you did.
NIKO: (after a beat) What happens now?
REYES: Now you learn to come back.
The bolded exchange chiefly serves to