Contexts of British Poetry 1660–1925

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AP English Literature and Composition › Contexts of British Poetry 1660–1925

Questions 1 - 10
1

In pious times, e’r Priest-craft did begin,

Before Polygamy was made a Sin;

When Man on many multipli’d his kind,

E’r one to one was cursedly confin’d,

When Nature prompted and no Law deni’d

Promiscuous Use of Concubine and Bride;

Then Israel’s Monarch, after Heavens own heart,

His vigorous warmth did, variously, impart

To Wives and Slaves: And, wide as his Command,

Scatter’d his Maker’s Image through the Land.

Who is the author of this poem?

John Dryden

Sir William Davenant

John Milton

Thomas Shadwell

Edmund Spenser

Explanation

These are the opening lines of John Dryden’s political allegory Absalom and Achitophel, a book-length poem concerning the rebellion of Absalom against the Biblical King David.

Passage adapted from John Dryden's Absalom and Achitophel (1681)

2

Tyger! Tyger! burning bright

In the forests of the night,

What immortal hand or eye

Could frame thy fearful symmetry?

Who is the author of this poem?

William Blake

William Cowper

John Keats

Christina Rossetti

Matthew Arnold

Explanation

This is “The Tyger,” one of the best known poems by the English poet William Blake (1757-1827).

William Cowper wrote John Gilpin (1782), John Keats wrote Poems (1816), Christina Rossetti wrote Goblin Market (1862), and Matthew Arnold wrote Empedocles on Etna, and Other Poems (1852).

Passage adapted from William Blake’s Songs of Experience (1794).

3

Thou still unravish'd bride of quietness,

Thou foster-child of silence and slow time,

Sylvan historian, who canst thus express

A flowery tale more sweetly than our rhyme:

What leaf-fring'd legend haunts about thy shape

Of deities or mortals, or of both,

In Tempe or the dales of Arcady?

What men or gods are these? What maidens loth?

What mad pursuit? What struggle to escape?

What pipes and timbrels? What wild ecstasy?

The author of this poem wrote all but which of the following works?

Prelude

Lamia

Endymion

Hyperion

“Ode to a Nightingale”

Explanation

The Prelude (1850)is a semi-autobiographical work by William Wordsworth. Lamia (1820), Endymion (1818), Hyperion (1819, unfinished), and “Ode to a Nightingale” (1819) are all works by John Keats.

Passage adapted from John Keats’ “Ode on a Grecian Urn” (1820).

4

Tyger! Tyger! burning bright

In the forests of the night,

What immortal hand or eye

Could frame thy fearful symmetry?

What collection is this poem taken from?

Songs of Experience

Songs of Innocence

Songs of Eagerness

Songs of Ecstasy

Songs of Ecclesiastes

Explanation

William Blake wrote both Songs of Experience and Songs of Innocence, but “The Tyger” is from the former collection. (The other titles are invented.)

Passage adapted from William Blake’s Songs of Experience (1794).

5

What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing — This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If She inspire, and He approve my lays.

Say what strange motive, Goddess! could compel
A well-bred Lord t' assault a gentle Belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle Belle reject a Lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty Rage?

During what decade was this poem published?

1710s

1610s

1660s

1760s

1810s

Explanation

The poem was originally published in 1712, and revised versions were released in 1714 and 1717. Even if you didn’t know this, you could rule out the other decades because none of them fall within Pope’s lifetime (1688-1744).

Passage adapted from Alexander Pope’s The Rape of the Lock, I.1-12(1712; ed. 1906)

6

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that’s best of dark and bright

Meet in her aspect and her eyes;

Thus mellowed to that tender light

Which heaven to gaudy day denies.

What is the other name of the author of this work?

Lord Byron

Lord Tennyson

George Eliot

“Man Without a Spleen”

C.S. Lewis

Explanation

George Gordon was commonly known by his baronial title: Lord Byron.

Alfred, Lord Tennyson wrote Poems (1842), George Eliot wrote Middlemarch (1874), and C.S. Lewis wrote The Pilgrim's Regress (1933).

Passage adapted from “She Walks in Beauty” (1813) by George Gordon.

7

That’s my last Duchess painted on the wall,

Looking as if she were alive. I call

That piece a wonder, now: Frà Pandolf’s hands

Worked busily a day, and there she stands.

Will’t please you sit and look at her? I said

“Frà Pandolf” by design, for never read

Strangers like you that pictured countenance,

The depth and passion of its earnest glance…

When was this poem published?

1840s

1810s

1850s

1830s

1820s

Explanation

The poem first appeared in 1842 in Browning’s collection Dramatic Lyrics. Remembering Browning’s birth date (1812) may have helped rule out the earlier decades.

Passage adapted from Robert Browning's "My Last Duchess," from Dramatic Lyrics (1842).

8

On either side the river lie

Long fields of barley and of rye,

That clothe the world and meet the sky;

And thro' the field the road runs by

To many-tower'd Camelot;

And up and down the people go,

Gazing where the lilies blow

Round an island there below,

The island of Shalott.

What is the form of this poem?

Ballad

Sonnet

Sestina

Villanelle

Pantoum

Explanation

A ballad is, traditionally, a long narrative poem that often contains detailed descriptions of characters and/or a love story. Sonnets, sestinas, villanelles, and pantoums all have very specific rhyme schemes that “The Lady of Shalott” does not adhere to.

Passage adapted from "The Lady of Shalott," first published in Poems by Alfred Tennyson(1833).

9

That’s my last Duchess painted on the wall,

Looking as if she were alive. I call

That piece a wonder, now: Frà Pandolf’s hands

Worked busily a day, and there she stands.

Will’t please you sit and look at her? I said

“Frà Pandolf” by design, for never read

Strangers like you that pictured countenance,

The depth and passion of its earnest glance…

The author of this passage was married to which famous Victorian writer?

Elizabeth Barrett

George Eliot

Lady Caroline Lamb

Lady Charlotte Elliot

Christina Rossetti

Explanation

Elizabeth Barrett, known as Elizabeth Barrett Browning after her marriage, married Robert Browning in 1846. As a result of the elopement (she kept the courtship secret), she was disinherited by her family.

George Eliot was a novelist, and the author of Middlemarch (1874). Lady Caroline Lamb wrote Ada Reis (1823), Lady Charlotte Elliot wrote Hours of Sorrow Cheered and Comforted (1836), and Christina Rossetti wrote Goblin Market (1862).

Passage adapted from Robert Browning's "My Last Duchess," from Dramatic Lyrics (1842).

10

Five years have passed; five summers, with the length

Of five long winters! and again I hear

These waters, rolling from their mountain-springs

With a sweet inland murmur. —Once again

Do I behold these steep and lofty cliffs,

Which on a wild secluded scene impress

Thoughts of more deep seclusion; and connect

The landscape with the quiet of the sky.

What is the title of this author’s semi-autobiographical poem, known colloquially as “the poem to Coleridge”?

The Prelude

The Task

Childe Harold's Pilgrimage

_A Refutation of Deism: In a Dialogue

The Genius of the Thames: a Lyrical Poem

Explanation

The poem in question is the frequently revised and posthumously published The Prelude or, Growth of a Poet's Mind; An Autobiographical Poem, which was intended as the introduction to a work that Wordsworth never finished.

The Task (1785)was written by William Cowper, Childe Harold's Pilgrimage (1812) was written by George Gordon, A Refutation of Deism: In a Dialogue (1814) was written by Percy Bysshe Shelley, and The Genius of the Thames: a Lyrical Poem (1810) was written by Thomas Love Peacock.

Passage adapted from Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads, With a Few Other Poems (1798).

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