Contexts of American Plays After 1925

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AP English Literature and Composition › Contexts of American Plays After 1925

Questions 1 - 10
1

Which of the following literary devices does not appear in Angels in America?

Deus ex machina

Doubling

Religious allusions

Monologue

Hallucinatory visions

Explanation

Angels in America features doubling (one actor playing two or more roles), Biblical allusions and visitations from angels, monologues by several of the main characters, and hallucinatory visions. It does not include deus ex machina, which is a theatrical device whereby something unexpected and unexplained intervenes to fix a plot problem and drastically alter the course of the play. (A famous deus ex machina occurs in Hamlet in the form of the pirates.)

2

During what decade was Death of a Salesman first performed?

1940s

1930s

1920s

1910s

1900s

Explanation

This play not only premiered in but also won the Pulitzer Prize for Drama in 1949. If you didn’t know this, you could still eliminate some of the answer choices if you knew that Arthur Miller wasn’t born until 1915.

3

Which of the following is not a character in Death of a Salesman?

Martha

Willy Loman

Happy Loman

Miss Forsythe

Biff Loman

Explanation

Martha is a central character in Edward Albee’s 1962 play Who’s Afraid of Virginia Woolf? and not in Miller’s Death of a Salesman.

4

Who wrote A Raisin in the Sun?

Lorraine Hansberry

Tony Kushner

Tom Stoppard

August Wilson

Adrienne Kennedy

Explanation

Playwright Lorraine Hansberry (1930-1965) wrote A Raisin in the Sun (1959).Tony Kushner wrote Angels in America (1993). Tom Stoppard wrote Rosencrantz and Guildenstern are Dead (1966). August Wilson wrote Fences (1987). Adrienne Kennedy wrote A Lesson in Dead Language (1968). All of these authors are major award-winning, twentieth-century American playwrights.

5

Who wrote Death of a Salesman?

Arthur Miller

Wendy Wasserstein

Lynn Nottage

Suzan-Lori Parks

Eugene O’Neill

Explanation

This author is Arthur Miller, an important American playwright and essayist. Miller is famous for being married to Marilyn Monroe and for testifying before the House Un-American Activities Committee as well as for his significant contributions to American drama, for which he was awarded the Pulitzer Prize and various other honors.

6

The author of Death of a Salesman also wrote all but which of the following plays?

The Violent Bear It Away

The Crucible

A View from the Bridge

All My Sons

They Too Arise

Explanation

The Violent Bear It Away is actually a novel by Flannery O’Connor and not a play at all. The other four works are all dramas written by Miller between 1937 and 1955.

7

When was Our Town first performed?

1930s

1940s

1950s

1960s

1970s

Explanation

Although it was set several decades earlier, the play debuted in 1938 and won the Pulitzer Prize for Drama the same year.

8

Who wrote Our Town?

Thornton Wilder

August Strindberg

Sam Shepard

August Wilson

Lorraine Hansberry

Explanation

Our Town (1938) is by the American playwright Thornton Wilder (1897-1975). It is one of his earlier works. August Strindberg wrote A Dream Play (1901). Sam Shepard wrote The Right Stuff (1983). August Wilson wrote The Coldest Day of the Year (1989). Lorraine Hansberry wrote The Drinking Gourd (1960). Aside from Strindberg, all of these playwrights are American.

9

What other Pulitzer Prize-winning play did the author of Our Town write?

The Skin of Our Teeth

The Crucible

Glengarry Glen Ross

The Lion in Winter

Mourning Becomes Electra

Explanation

Wilder’s 1942 play The Skin of Our Teeth also won the Pulitzer Prize. None of these other plays were written by him. The Crucible (1953) is by Arthur Miller. Glengarry Glen Ross (1983) is by David Mamet. The Lion in Winter (1966)is by James Goldman. Mourning Becomes Electra (1931) is by Eugene O'Neil.

10

What is the setting of Long Day’s Journey Into Night?

A Connecticut home

A Wyoming ranch

A Brooklyn tenement

A New Orleans factory and nightclub

A Milwaukee slaughterhouse

Explanation

The play takes place over the course of a single day in the lives of a dysfunctional Connecticut family. Although the play is extremely lavish in its description of the setting, all of the action of the play is restricted to that one location.

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