Identification of British Plays After 1925 - AP English Literature and Composition
Card 1 of 24
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Tap to reveal answer
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
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Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Tap to reveal answer
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
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The Common Man, Sir Thomas More, and Thomas Cromwell are characters in which of the following plays?
The Common Man, Sir Thomas More, and Thomas Cromwell are characters in which of the following plays?
Tap to reveal answer
The Common Man, Sir Thomas More, and Thomas Cromwell are characters from the 1960 play A Man for All Seasons by Robert Bolt. The play follows the life of Sir Thomas More, the sixteenth-century Chancellor of England—a "man of conscience."
The Common Man, Sir Thomas More, and Thomas Cromwell are characters from the 1960 play A Man for All Seasons by Robert Bolt. The play follows the life of Sir Thomas More, the sixteenth-century Chancellor of England—a "man of conscience."
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This play switches back and forth between the year 1809 and the present. Some of the main characters include Thomasina Coverly, Septimus Hodge, Hannah Jarvis, and Bernard Nightingale.
This play switches back and forth between the year 1809 and the present. Some of the main characters include Thomasina Coverly, Septimus Hodge, Hannah Jarvis, and Bernard Nightingale.
Tap to reveal answer
This is a brief overview of Arcadia by Tom Stoppard, a play first performed in 1993.
This is a brief overview of Arcadia by Tom Stoppard, a play first performed in 1993.
← Didn't Know|Knew It →
What play centers on two hit-men, Ben and Gus, who are awaiting their next assignment in a windowless basement?
What play centers on two hit-men, Ben and Gus, who are awaiting their next assignment in a windowless basement?
Tap to reveal answer
This overview describes the one-act play The Dumb Waiter by Harold Pinter.
This overview describes the one-act play The Dumb Waiter by Harold Pinter.
← Didn't Know|Knew It →
This play's title is taken from a line in Shelley's poem "To a Skylark."
This play's title is taken from a line in Shelley's poem "To a Skylark."
Tap to reveal answer
The title ofNoel Coward's 1941 comic play, Blithe Spirit, is taken from a the first line of Percy Bysshe Shelley's poem "To a Skylark":
"Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art."
The play itself focuses on novelist Charles Condomine and medium Madame Arcati's failed attempt to conduct a seance.
Passage adapted from "To a Skylark" l.1-5 by Percy Bysshe Shelley (1820)
The title ofNoel Coward's 1941 comic play, Blithe Spirit, is taken from a the first line of Percy Bysshe Shelley's poem "To a Skylark":
"Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art."
The play itself focuses on novelist Charles Condomine and medium Madame Arcati's failed attempt to conduct a seance.
Passage adapted from "To a Skylark" l.1-5 by Percy Bysshe Shelley (1820)
← Didn't Know|Knew It →
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Tap to reveal answer
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
← Didn't Know|Knew It →
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Tap to reveal answer
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
← Didn't Know|Knew It →
The Common Man, Sir Thomas More, and Thomas Cromwell are characters in which of the following plays?
The Common Man, Sir Thomas More, and Thomas Cromwell are characters in which of the following plays?
Tap to reveal answer
The Common Man, Sir Thomas More, and Thomas Cromwell are characters from the 1960 play A Man for All Seasons by Robert Bolt. The play follows the life of Sir Thomas More, the sixteenth-century Chancellor of England—a "man of conscience."
The Common Man, Sir Thomas More, and Thomas Cromwell are characters from the 1960 play A Man for All Seasons by Robert Bolt. The play follows the life of Sir Thomas More, the sixteenth-century Chancellor of England—a "man of conscience."
← Didn't Know|Knew It →
This play switches back and forth between the year 1809 and the present. Some of the main characters include Thomasina Coverly, Septimus Hodge, Hannah Jarvis, and Bernard Nightingale.
This play switches back and forth between the year 1809 and the present. Some of the main characters include Thomasina Coverly, Septimus Hodge, Hannah Jarvis, and Bernard Nightingale.
Tap to reveal answer
This is a brief overview of Arcadia by Tom Stoppard, a play first performed in 1993.
This is a brief overview of Arcadia by Tom Stoppard, a play first performed in 1993.
← Didn't Know|Knew It →
What play centers on two hit-men, Ben and Gus, who are awaiting their next assignment in a windowless basement?
What play centers on two hit-men, Ben and Gus, who are awaiting their next assignment in a windowless basement?
Tap to reveal answer
This overview describes the one-act play The Dumb Waiter by Harold Pinter.
This overview describes the one-act play The Dumb Waiter by Harold Pinter.
← Didn't Know|Knew It →
This play's title is taken from a line in Shelley's poem "To a Skylark."
This play's title is taken from a line in Shelley's poem "To a Skylark."
Tap to reveal answer
The title ofNoel Coward's 1941 comic play, Blithe Spirit, is taken from a the first line of Percy Bysshe Shelley's poem "To a Skylark":
"Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art."
The play itself focuses on novelist Charles Condomine and medium Madame Arcati's failed attempt to conduct a seance.
Passage adapted from "To a Skylark" l.1-5 by Percy Bysshe Shelley (1820)
The title ofNoel Coward's 1941 comic play, Blithe Spirit, is taken from a the first line of Percy Bysshe Shelley's poem "To a Skylark":
"Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art."
The play itself focuses on novelist Charles Condomine and medium Madame Arcati's failed attempt to conduct a seance.
Passage adapted from "To a Skylark" l.1-5 by Percy Bysshe Shelley (1820)
← Didn't Know|Knew It →
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Tap to reveal answer
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
← Didn't Know|Knew It →
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Tap to reveal answer
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
← Didn't Know|Knew It →
The Common Man, Sir Thomas More, and Thomas Cromwell are characters in which of the following plays?
The Common Man, Sir Thomas More, and Thomas Cromwell are characters in which of the following plays?
Tap to reveal answer
The Common Man, Sir Thomas More, and Thomas Cromwell are characters from the 1960 play A Man for All Seasons by Robert Bolt. The play follows the life of Sir Thomas More, the sixteenth-century Chancellor of England—a "man of conscience."
The Common Man, Sir Thomas More, and Thomas Cromwell are characters from the 1960 play A Man for All Seasons by Robert Bolt. The play follows the life of Sir Thomas More, the sixteenth-century Chancellor of England—a "man of conscience."
← Didn't Know|Knew It →
This play switches back and forth between the year 1809 and the present. Some of the main characters include Thomasina Coverly, Septimus Hodge, Hannah Jarvis, and Bernard Nightingale.
This play switches back and forth between the year 1809 and the present. Some of the main characters include Thomasina Coverly, Septimus Hodge, Hannah Jarvis, and Bernard Nightingale.
Tap to reveal answer
This is a brief overview of Arcadia by Tom Stoppard, a play first performed in 1993.
This is a brief overview of Arcadia by Tom Stoppard, a play first performed in 1993.
← Didn't Know|Knew It →
What play centers on two hit-men, Ben and Gus, who are awaiting their next assignment in a windowless basement?
What play centers on two hit-men, Ben and Gus, who are awaiting their next assignment in a windowless basement?
Tap to reveal answer
This overview describes the one-act play The Dumb Waiter by Harold Pinter.
This overview describes the one-act play The Dumb Waiter by Harold Pinter.
← Didn't Know|Knew It →
This play's title is taken from a line in Shelley's poem "To a Skylark."
This play's title is taken from a line in Shelley's poem "To a Skylark."
Tap to reveal answer
The title ofNoel Coward's 1941 comic play, Blithe Spirit, is taken from a the first line of Percy Bysshe Shelley's poem "To a Skylark":
"Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art."
The play itself focuses on novelist Charles Condomine and medium Madame Arcati's failed attempt to conduct a seance.
Passage adapted from "To a Skylark" l.1-5 by Percy Bysshe Shelley (1820)
The title ofNoel Coward's 1941 comic play, Blithe Spirit, is taken from a the first line of Percy Bysshe Shelley's poem "To a Skylark":
"Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art."
The play itself focuses on novelist Charles Condomine and medium Madame Arcati's failed attempt to conduct a seance.
Passage adapted from "To a Skylark" l.1-5 by Percy Bysshe Shelley (1820)
← Didn't Know|Knew It →
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Which of the following is an absurdist, existentialist play that focuses on characters from a Shakespearian tragedy?
Tap to reveal answer
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
This brief overview describes Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, first performed in 1966. Rosencrantz and Guildenstern are minor characters from Shakespeare's Hamlet who are presumably killed off-stage over the course of the play.
← Didn't Know|Knew It →
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters from which of the following plays?
Tap to reveal answer
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
Anthonio Salieri, Constanze Weber, and Emperor Joseph II are characters in Peter Shaffer's 1979 play Amadeus, which creates a fictionalized plot centering on composers, Amadeus Mozart and Antonio Salieri. The play is based on the 1830 play by Alexander Pushkin, Mozart and Salieri.
← Didn't Know|Knew It →