Card 0 of 1620
The architecture of the Renaissance saw a resurgence of features from the architecture of which ancient civilization?
Renaissance architecture made use of attributes of Ancient Roman architecture. Namely, Renaissance architects utilized Ancient Roman column types, such as Doric, Ionic, Tuscan, Composite, and Corinthian, often used decoratively rather than structurally.
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A _____________ is a wedge-shaped block used in the construction of an arch.
The "voussoir" is a wedge-shaped block that makes up a true arch.
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Neoclassical architecture sought to revive the style of architecture prevalent in __________.
Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.
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The particular innovation that allowed large-scale skyscrapers to be built was __________.
Until the late nineteenth century, buildings had serious vertical size restrictions due to the weight placed on them by bricks and other traditional materials. With the introduction of steel, an alloy of iron, new possibilities were available to builders. In particular, the use of steel-frame construction, which built a "sheet" around steel beams, allowed for buildings stretching taller than ten stories.
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The Washington Monument is a traditional memorial structure known as __________.
The Washington Monument, in the center of the National Mall in Washington, D.C., is the world's largest memorial obelisk. Obelisks, four sided pillars that originated with the ancient Egyptians, have long been used in Western culture as memorial markers. The Washington Monument was conceived in the 1840s as more than just the obelisk, but ran into funding problems and was only completed in its simpler form in 1885.
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Nike Adjusting Her Sandal, from the facade of the Temple of Athena Nike on the Athenian Acropolis, shows a woman, clearly outlined by realistic drapery, leaning to adjust her sandal.
The Nike came from which of the following artistic traditions?
The piece Nike Adjusting Her Sandal is Classical Greek, as it comes from the temple of Athena Nike on the Athenian Acropolis, built in the fourth century. You can see the proportions of the figure clearly, as well, which is a hallmark of the period.
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Both the Anavysos kouros and the "Peplos" kore demonstrate which of the following?
In comparison to earlier examples of kouroi and korai, the Anavysos kouros and the "Peplos" kore (both made c. 530 BCE) are much more naturalistic in their depictions of the human body, especially evident in the softer facial features and the more fleshy musculature.
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During which period of Ancient Greek art did the Greeks begin carving in stone to make sculptures?
The Geometric and Protogeometric were periods of Ancient Greek pottery. Sculpture in Ancient Greece consisted of three periods: the Archaic, the Classical and the Hellenistic periods. The first period of Ancient Greek sculpture, the Archaic period, is known as the period in which the Ancient Greek first began to sculpt and carve in stone.
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The ancient Greco-Roman statue that depicts a fallen soldier of the Galatian people is known as __________.
The Dying Gaul is a statue most likely originally cast around 200 BCE by a Greek king to commemorate his victory over the Galatians, a Celtic tribe living in modern day Turkey. The sculpture is remarkable for showing the bravery and humanity of the subject, who is marked as Galatian thanks to his haircut and necklace. The Dying Gaul that has survived is a Roman copy of the Greek original that is currently held in the Capitoline Museums in Rome.
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The Siren Vase depicts a scene in an epic by which author?
The Siren Vase is a type of vessel known as stamnos and is decorated with red and black images. One of the most famous examples of ancient Greek pottery, the Siren Vase (c. 475 BCE) depicts the hero Odysseus battling sirens, enchanting female creatures who lured sailors to their deaths with hypnotic songs. This hero appears in the Homeric epics The Odyssey and The Iliad; none of the other authors were ancient Greek writers.
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The Siren Vase is an example of which type of pottery?
One of the most famous examples of ancient Greek pottery, the Siren Vase (c. 475 BCE) is a major example of Attic red-figure pottery. This type of work became common in the mid-500s BCE and is characterized by red figures on a black background (as opposed to black-figure pottery, which depicts black figures on a red or yellow background). Terracotta pottery is similarly red-colored but typically unpainted.
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The period after the death of Alexander is referred to as the Hellenistic Period. What is one of the more famous statues of the Hellenistic period named after The god of Winged Victory?
The statue's name is Winged Victory or Nike. In comparison to other statues at this time, this statue is significant due to the fact that the figure is in action or mid movement. The sense of motion and the swift movement of the figure are distinctive to this statue as well as the idea of the Nike brand.
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Etruscan art has a strong relationship to Greek and Mediterranean cultures. The majority of Etruscan art was created out of _________________.
The Etruscans preferred terra cotta over other forms because of the importance to tombs and funeral markers which were made from terra cotta (baked clay). This art form emphasized ornament and display, which was important in their culture along with signifying the importance of the dead.
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What technique was used to reproduce this sculpture?
Rodin frequently used the lost wax technique to produce many of his bronze sculptures. The technique involved making a negative of an existing sculpture, that is then filled with wax that is replaced with bronze as the metal is poured into the cast.
Work is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Rodin\_Balzac\_Nasher\_Dallas\_1.jpg
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An American architect closely associated with the Prairie School was __________.
The Prairie School was an architectural movement that grew around the turn of the nineteenth to the twentieth century in the American midwest. The Prairie School architects wished for a uniquely American form of architecture that could fit in with the natural landscape of America. Among the leading figures of the Prairie School was the famous architect Frank Lloyd Wright, whose early houses were all largely in the Prairie style.
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In Buddhist statuary, the lotus position depicts the Buddha __________.
Buddhism spread across Asia from the beginning of the first century CE to 500 CE; this resulted in the creation of a vast array of Buddhist art in a variety of countries. This art still had some unified themes, particularly in depictions of the Buddha, which could demonstrate important points to new believers. This includes the Buddha sitting in the lotus position, a cross-legged pose that is the chief position for Buddhist meditation and contemplative practices.
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In Hindu sculpture, a vahana refers to a deity's __________.
In Hindu mythology, every deity has a vahana, or animal mount. This has a number of purposes, ranging from highlighting certain attributes of a deity to creating different kinds of symbology from a plain depiction of the deity. Notable vahanas include Vishnu's eagle, Ganesha's mouse, and Laksmi's elephant.
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In Ancient Greco-Roman art, a figure fighting a hydra represents __________.
Ancient Greek and Roman statuary was largely based on three concepts: Greco-Roman mythology, statues of political leaders, and exercises on the ideal form. In Greek mythology, Hercules, the half-man, half-god hero, was tasked with various chores to allow him to enter the realm of the gods. One of the most famous ones was that Hercules had to defeat the multiheaded serpent known as the Hydra.
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Roman portrait sculpture is notable for its intense __________.
Roman sculpture was originally derived from Greek sculpture, which was highly refined and desired a pleasing aesthetic of minute detail. Roman sculptors took this to another level, by focusing on an extreme realism, which showed every imperfection in their subjects. Romans believed a person sitting for a sculpture portrait wished an honest portrayal that could show their full virility and nobility.
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Ancient Greek sculpture saw the perfection of the natural form in __________.
The ancient Greeks saw the male nude form as the ultimate perfection in aesthetics, making it one of the most common subjects of Greek art. One of the key examples of this thought process is "The Dying Gaul," which portrays a dying Gaul, a man who was not Greek, laid out in perfect tension to show his body. This affection for the male nude was picked up by Renaissance and neoclassical artists, as demonstrated by works like Michelangelo's "David."
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