2D Art Beyond European Artistic Traditions - AP Art History
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The medium in which this work was created was .
The medium in which this work was created was .
As the Book of the Dead, from which the Last Judgment of Hu-Nefer was taken, was seen by Egyptians as a crucial guide for the deceased buried in a tomb, portability was desirable. Placing it on papyrus, with a straightforward painting, made it relatively less imposing than carved stone or massive wall frescoes, but also easier to read through the different sections.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:BD\_Hunefer.jpg
As the Book of the Dead, from which the Last Judgment of Hu-Nefer was taken, was seen by Egyptians as a crucial guide for the deceased buried in a tomb, portability was desirable. Placing it on papyrus, with a straightforward painting, made it relatively less imposing than carved stone or massive wall frescoes, but also easier to read through the different sections.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:BD\_Hunefer.jpg
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Which of the following best explains the intended function of lamassus?
Which of the following best explains the intended function of lamassus?
Lamassus were believed to be atropopaic, or imbued with the power to ward off evil spirits or bad luck. They were placed outside the king's citadel to protect against just that. They would also be placed in gateways as guardians under archways.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
Lamassus were believed to be atropopaic, or imbued with the power to ward off evil spirits or bad luck. They were placed outside the king's citadel to protect against just that. They would also be placed in gateways as guardians under archways.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
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The figure with a jackal's head represented twice on the left hand portion of the work shown is .
The figure with a jackal's head represented twice on the left hand portion of the work shown is .
The figure of Anubis, the Egyptian God of the afterlife and mummification, was represented in Egyptian art as having the head of a jackal. His role was to help lead the newly deceased through the underworld, particularly to the ceremony of the weighing of the heart to judge whether the individual was morally upright enough to pass through the afterlife. This role makes him crucial to appear in a work such as The Book of the Dead, as he served a crucial role in the funerary rites.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:BD\_Hunefer.jpg
The figure of Anubis, the Egyptian God of the afterlife and mummification, was represented in Egyptian art as having the head of a jackal. His role was to help lead the newly deceased through the underworld, particularly to the ceremony of the weighing of the heart to judge whether the individual was morally upright enough to pass through the afterlife. This role makes him crucial to appear in a work such as The Book of the Dead, as he served a crucial role in the funerary rites.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:BD\_Hunefer.jpg
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What is this piece called?
What is this piece called?
This is called a lamassu. Lamassus were massive winged bulls with human heads. They were often depicted in Assyrian art and myth. (Cuneiform was ancient writing, a sarcophagus is a type of coffin, a register is a horizontal band that tells a narrative story, and a ground plan is a map of where things are on the floor of a building.)
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
This is called a lamassu. Lamassus were massive winged bulls with human heads. They were often depicted in Assyrian art and myth. (Cuneiform was ancient writing, a sarcophagus is a type of coffin, a register is a horizontal band that tells a narrative story, and a ground plan is a map of where things are on the floor of a building.)
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
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This lamassu is a good example of what type of artistic technique?
This lamassu is a good example of what type of artistic technique?
The lamassu is a good example of a relief sculpture. This is a sculpture that projects out of a flat background. In this case, the figure projects out of the slab of alabaster. Relief sculptures give the illusion of a three-dimensional image. (A votive is an offering given in exchange for a vow or promise, apadanas and cellas are architectural features found in ancient Middle Eastern palaces and temples respectively, and congs are ancient Chinese tube-shaped objects with circular holes cut into square-like cross sections.)
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
The lamassu is a good example of a relief sculpture. This is a sculpture that projects out of a flat background. In this case, the figure projects out of the slab of alabaster. Relief sculptures give the illusion of a three-dimensional image. (A votive is an offering given in exchange for a vow or promise, apadanas and cellas are architectural features found in ancient Middle Eastern palaces and temples respectively, and congs are ancient Chinese tube-shaped objects with circular holes cut into square-like cross sections.)
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
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The Mexican Mural Movement utilized all of the following themes EXCEPT .
The Mexican Mural Movement utilized all of the following themes EXCEPT .
The Mexican Mural Movement was Mexican painting movement that developed from the 1920s to the 1950s. Its most well-known painters were Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Each of these men were heavily influenced by Marxism and a sense of Mexican nationalism, which made them want to paint historical, indigenous, and agricultural scenes. Most of the muralists were often skirting trouble with the changing governments in Mexico, finding their support fluctuating throughout their careers.
The Mexican Mural Movement was Mexican painting movement that developed from the 1920s to the 1950s. Its most well-known painters were Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Each of these men were heavily influenced by Marxism and a sense of Mexican nationalism, which made them want to paint historical, indigenous, and agricultural scenes. Most of the muralists were often skirting trouble with the changing governments in Mexico, finding their support fluctuating throughout their careers.
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Which religious apparition, recognized almost exclusively by the Spanish colonies of the Americas and not by the Europeans themselves, was and still is an unceasing source of artistic inspiration for the area that is known today as Mexico and Latin America?
Which religious apparition, recognized almost exclusively by the Spanish colonies of the Americas and not by the Europeans themselves, was and still is an unceasing source of artistic inspiration for the area that is known today as Mexico and Latin America?
Official Catholic record states that San Juan Diego, then just a peasant, witnessed an apparition of the Virgin Mary four times at the Hill of Tepeyac, now a suburb of Mexico City. It is said that the apparition of the Virgin Mary spoke to him in his native tongue of Nahuatl, asking for a church to be built there in her honor. Now the Basilica of Our Lady of Guadalupe is the most visited Catholic pilgrimage site in the world, and the world's third most-visited sacred site.
Official Catholic record states that San Juan Diego, then just a peasant, witnessed an apparition of the Virgin Mary four times at the Hill of Tepeyac, now a suburb of Mexico City. It is said that the apparition of the Virgin Mary spoke to him in his native tongue of Nahuatl, asking for a church to be built there in her honor. Now the Basilica of Our Lady of Guadalupe is the most visited Catholic pilgrimage site in the world, and the world's third most-visited sacred site.
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Diego Rivera is one of the most well-known Mexican artists. His expansive wall paintings in fresco are a popular example of which genre of paintings, popularized in the 1920s as a social and political movement?
Diego Rivera is one of the most well-known Mexican artists. His expansive wall paintings in fresco are a popular example of which genre of paintings, popularized in the 1920s as a social and political movement?
Diego Rivera is a very well-known Mexican artist. One of his many artistic accomplishments was to help launch Mexican muralism in the 1920s. Although Mexico has a long history of mural art, Mexican muralism gained traction as a globally popular art form thanks to the contributions of Rivera and other artists, such as José Clemente Orozco and David Alfaro Siqueiros, as they used the form as a political and social tool. In the USA, Mexican muralism served as inspiration for the Chicano art movement.
Diego Rivera is a very well-known Mexican artist. One of his many artistic accomplishments was to help launch Mexican muralism in the 1920s. Although Mexico has a long history of mural art, Mexican muralism gained traction as a globally popular art form thanks to the contributions of Rivera and other artists, such as José Clemente Orozco and David Alfaro Siqueiros, as they used the form as a political and social tool. In the USA, Mexican muralism served as inspiration for the Chicano art movement.
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The Mexican Mural Movement utilized all of the following themes EXCEPT .
The Mexican Mural Movement utilized all of the following themes EXCEPT .
The Mexican Mural Movement was Mexican painting movement that developed from the 1920s to the 1950s. Its most well-known painters were Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Each of these men were heavily influenced by Marxism and a sense of Mexican nationalism, which made them want to paint historical, indigenous, and agricultural scenes. Most of the muralists were often skirting trouble with the changing governments in Mexico, finding their support fluctuating throughout their careers.
The Mexican Mural Movement was Mexican painting movement that developed from the 1920s to the 1950s. Its most well-known painters were Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Each of these men were heavily influenced by Marxism and a sense of Mexican nationalism, which made them want to paint historical, indigenous, and agricultural scenes. Most of the muralists were often skirting trouble with the changing governments in Mexico, finding their support fluctuating throughout their careers.
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The early centuries of Islamic art are characterized by all of the following except .
The early centuries of Islamic art are characterized by all of the following except .
Although people sometimes do appear in early Islamic art, accurate and detailed representations don't appear. In part, this is because some feared that realistic depictions of religious figures could encourage idolatry. However, it is also in keeping with the traditions of the early Medieval period, where few artists rendered figures with the same emphasis on precision that later Renaissance artists would employ.
Although people sometimes do appear in early Islamic art, accurate and detailed representations don't appear. In part, this is because some feared that realistic depictions of religious figures could encourage idolatry. However, it is also in keeping with the traditions of the early Medieval period, where few artists rendered figures with the same emphasis on precision that later Renaissance artists would employ.
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Bahram Gur fights the Karg, from the Great Il-Khanid Shahnama, shown here, is most influenced by the artistic tradition of .
Bahram Gur fights the Karg, from the Great Il-Khanid Shahnama, shown here, is most influenced by the artistic tradition of .
During the thirteenth century, Mongolian armies invaded Persia, toppling the Khwarezmid Empire then ruling the area and creating a Khanate throughout the Persian Empire. Known as the Ilkhanid Empire, the Mongol rulers adopted Islam and many traditional Persian customs, but also imported many Chinese artisans and craftsman. This Chinese influence is present in Bahram Gur fights the Karg through the detailed landscape in the background of the painting and the vaguely Asian characteristics of the main subject, a historical Persian King.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
During the thirteenth century, Mongolian armies invaded Persia, toppling the Khwarezmid Empire then ruling the area and creating a Khanate throughout the Persian Empire. Known as the Ilkhanid Empire, the Mongol rulers adopted Islam and many traditional Persian customs, but also imported many Chinese artisans and craftsman. This Chinese influence is present in Bahram Gur fights the Karg through the detailed landscape in the background of the painting and the vaguely Asian characteristics of the main subject, a historical Persian King.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
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Bahram Gur fights the Karg is most similar in style to which of the following works?
Bahram Gur fights the Karg is most similar in style to which of the following works?
Although separated by about 300 years and two large empires, both Bahram Gur fights the Karg and Jahangir Preferring a Sufi Shaikh to Kings are depictions of rulers in idealized forms. Additionally, each have a blending of Islamic, Indian, and Asian influences, thanks to their artists working in pan-national empires. Both works are also executed on paper as fine miniatures.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
Although separated by about 300 years and two large empires, both Bahram Gur fights the Karg and Jahangir Preferring a Sufi Shaikh to Kings are depictions of rulers in idealized forms. Additionally, each have a blending of Islamic, Indian, and Asian influences, thanks to their artists working in pan-national empires. Both works are also executed on paper as fine miniatures.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
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The early centuries of Islamic art are characterized by all of the following except .
The early centuries of Islamic art are characterized by all of the following except .
Although people sometimes do appear in early Islamic art, accurate and detailed representations don't appear. In part, this is because some feared that realistic depictions of religious figures could encourage idolatry. However, it is also in keeping with the traditions of the early Medieval period, where few artists rendered figures with the same emphasis on precision that later Renaissance artists would employ.
Although people sometimes do appear in early Islamic art, accurate and detailed representations don't appear. In part, this is because some feared that realistic depictions of religious figures could encourage idolatry. However, it is also in keeping with the traditions of the early Medieval period, where few artists rendered figures with the same emphasis on precision that later Renaissance artists would employ.
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Bahram Gur fights the Karg, from the Great Il-Khanid Shahnama, shown here, is most influenced by the artistic tradition of .
Bahram Gur fights the Karg, from the Great Il-Khanid Shahnama, shown here, is most influenced by the artistic tradition of .
During the thirteenth century, Mongolian armies invaded Persia, toppling the Khwarezmid Empire then ruling the area and creating a Khanate throughout the Persian Empire. Known as the Ilkhanid Empire, the Mongol rulers adopted Islam and many traditional Persian customs, but also imported many Chinese artisans and craftsman. This Chinese influence is present in Bahram Gur fights the Karg through the detailed landscape in the background of the painting and the vaguely Asian characteristics of the main subject, a historical Persian King.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
During the thirteenth century, Mongolian armies invaded Persia, toppling the Khwarezmid Empire then ruling the area and creating a Khanate throughout the Persian Empire. Known as the Ilkhanid Empire, the Mongol rulers adopted Islam and many traditional Persian customs, but also imported many Chinese artisans and craftsman. This Chinese influence is present in Bahram Gur fights the Karg through the detailed landscape in the background of the painting and the vaguely Asian characteristics of the main subject, a historical Persian King.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
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Bahram Gur fights the Karg is most similar in style to which of the following works?
Bahram Gur fights the Karg is most similar in style to which of the following works?
Although separated by about 300 years and two large empires, both Bahram Gur fights the Karg and Jahangir Preferring a Sufi Shaikh to Kings are depictions of rulers in idealized forms. Additionally, each have a blending of Islamic, Indian, and Asian influences, thanks to their artists working in pan-national empires. Both works are also executed on paper as fine miniatures.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
Although separated by about 300 years and two large empires, both Bahram Gur fights the Karg and Jahangir Preferring a Sufi Shaikh to Kings are depictions of rulers in idealized forms. Additionally, each have a blending of Islamic, Indian, and Asian influences, thanks to their artists working in pan-national empires. Both works are also executed on paper as fine miniatures.
Work is in the public domain, image accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Demotte\_Shahname\_002.jpg
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What form of art was developed by Islamic artists who did not draw living figures because of proscriptions in the Quran?
What form of art was developed by Islamic artists who did not draw living figures because of proscriptions in the Quran?
The Quran, the Islamic holy book, made Muslim artists pursue calligraphy for two different but related reasons. Calligraphy was the easiest mode of transmission for the written Quran in the early years of the religion. Additionally, Quranic prohibitions on creating figurative art made many Muslim artists pursue the geometrical and literary art of calligraphy.
The Quran, the Islamic holy book, made Muslim artists pursue calligraphy for two different but related reasons. Calligraphy was the easiest mode of transmission for the written Quran in the early years of the religion. Additionally, Quranic prohibitions on creating figurative art made many Muslim artists pursue the geometrical and literary art of calligraphy.
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The medium in which this work was created was .
The medium in which this work was created was .
As the Book of the Dead, from which the Last Judgment of Hu-Nefer was taken, was seen by Egyptians as a crucial guide for the deceased buried in a tomb, portability was desirable. Placing it on papyrus, with a straightforward painting, made it relatively less imposing than carved stone or massive wall frescoes, but also easier to read through the different sections.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:BD\_Hunefer.jpg
As the Book of the Dead, from which the Last Judgment of Hu-Nefer was taken, was seen by Egyptians as a crucial guide for the deceased buried in a tomb, portability was desirable. Placing it on papyrus, with a straightforward painting, made it relatively less imposing than carved stone or massive wall frescoes, but also easier to read through the different sections.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:BD\_Hunefer.jpg
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Which of the following best explains the intended function of lamassus?
Which of the following best explains the intended function of lamassus?
Lamassus were believed to be atropopaic, or imbued with the power to ward off evil spirits or bad luck. They were placed outside the king's citadel to protect against just that. They would also be placed in gateways as guardians under archways.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
Lamassus were believed to be atropopaic, or imbued with the power to ward off evil spirits or bad luck. They were placed outside the king's citadel to protect against just that. They would also be placed in gateways as guardians under archways.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Human\_headed\_winged\_bull\_profile.jpg
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Ancient Mayan murals were most commonly created as .
Ancient Mayan murals were most commonly created as .
Only a handful of ancient Mayan murals survive to the present day, but they all are massive plaster frescos usually found in archaeological sites. The giant murals at Bonakmal depict the court life of an ancient Mayan king in great detail. The paintings were done quite quickly, as they had to be completed before the plaster dried.
Only a handful of ancient Mayan murals survive to the present day, but they all are massive plaster frescos usually found in archaeological sites. The giant murals at Bonakmal depict the court life of an ancient Mayan king in great detail. The paintings were done quite quickly, as they had to be completed before the plaster dried.
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Pre-Columbian art was often a cultural expression of world views, religion, philosophy, and the sciences, because many Pre-Columbian civilizations did not have .
Pre-Columbian art was often a cultural expression of world views, religion, philosophy, and the sciences, because many Pre-Columbian civilizations did not have .
Pre-Columbian societies often did not have a system of writing, so for much of their histories, the visual arts was their primary source of communication and record keeping, along with word-of-mouth record-keeping and day-to-day verbal conversation.
Pre-Columbian societies often did not have a system of writing, so for much of their histories, the visual arts was their primary source of communication and record keeping, along with word-of-mouth record-keeping and day-to-day verbal conversation.
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