Analyzing the Form of Medieval and Renaissance Poetry

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CLEP Humanities › Analyzing the Form of Medieval and Renaissance Poetry

Questions 1 - 4
1

If a stanza of poetry has an ABBA rhyme scheme, which of its lines rhyme?

First and fourth

First and second

First and third

Second and fourth

Third and fourth

Explanation

When a rhyme scheme is described with letters, the first line automatically gets designated as "A." Any other line that rhymes with the first line will also be marked as "A." Therefore, in an ABBA rhyme scheme, the first and the fourth lines rhyme, as do the second and third lines.

2

Which of the following is not a key feature of a sonnet?

Epic length

Fourteen lines

A strict rhyme scheme

A specific structure

Metered lines

Explanation

The sonnet was first developed in thirteenth- and fourteenth-century Italy, but became a popular form of poetry throughout Europe during the Renaissance. William Shakespeare became well known in England for his sonnets in the late sixteenth century. A sonnet typically has just fourteen strictly metered lines, with a specific structure and strict rhyme scheme.

3

The Italian poet Petrarch is most famous for working in what poetic form?

The sonnet

Blank verse

The villanelle

Common meter

The cinquain

Explanation

Petrarch, who lived from 1304 to 1374, is not just famous for writing most of his poems in the sonnet form, but for widely popularizing the form across Europe. Petrarch used a standard fourteen line form with an ABBA rhyme scheme. Petrarch is considered one of the standardizers of the Italian language thanks to his immense popularity.

4

The rhythmic scheme of iambic pentameter refers to a line that contains __________.

five feet of one unstressed syllable followed by one stressed syllable

ten feet of two stressed syllables

five feet of three long syllables

three feet of two stressed syllables and one unstressed syllable

three feet of two unstressed syllables and one stressed syllable

Explanation

Iambic pentameter is most famous as the rhythm scheme used by William Shakespeare in most of his plays. The scheme features five "feet" per line, with each foot having one unstressed syllable followed by one stressed syllable. This rhythm creates a standard speaking pattern for actors and audiences to follow.

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