Card 0 of 88
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question ...
Oh, do not ask, “What is it?”
This author of this poem also wrote __________.
A major modernist poet, T. S. Eliot was also a highly influential critic and essayist. In his essay "Tradition and Individual Talent," Eliot rejected the inspired individualism of romantic poets like William Wordsworth in favor of a view of the poet as one who uses tradition to lift him beyond his personal experience.
Passage adapted from "The Love Song of J. Alfred Prufrock" by T. S. Elliot, 1-11 (1915)
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And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all.”
Identify the title of poem from which the selection was adapted based on its content and style.
The stanza is from T.S. Eliot's poem, "The Love Song of J. Alfred Prufrock," which was published in 1915.
Passage adapted from "The Love Song of J. Alfred Prufrock" l.99-110 (1915)
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Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.
This stanza opens a famous poem by which American author?
The poem is Emily Dickinson’s “Because I Could Not Stop for Death,” a lyrical poem in which Dickinson personifies Death as he takes the speaker to her grave.
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I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
My tongue, every atom of my blood, form'd from this soil,
this air,
Born here of parents born here from parents the same, and
their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
Who wrote this poem?
This is the opening of Walt Whitman’s beautiful “Song of Myself,” taken from Leaves of Grass (1855). The poem is said to represent the heart of Whitman’s poetic vision and be inspired by the Transcendentalist movement, although it was initially criticized for its raw, uncensored depictions of human sexuality.
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In silent night when rest I took,
For sorrow near I did not look,
I wakened was with thund’ring noise
And piteous shrieks of dreadful voice.
That fearful sound of “fire” and “fire,”
Let no man know is my Desire.
I, starting up, the light did spy,
And to my God my heart did cry
To straighten me in my Distress
And not to leave me succourless.
Who wrote the poem from which this passage is adapted?
Anne Bradstreet wrote “Verses Upon the Burning of Our House July 10th, 1666,” as well as many other early poems. Bradstreet, the first female author to be published in America, lived in the seventeenth century and is known for including her Puritan ideals in her poetry.
Passage adapted from "Verses upon the Burning of our House, July 10th, 1666" (1666)
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The Song of Hiawatha
"On the shores of Gitche Gumee,
Of the shining Big-Sea-Water,
Stood Nokomis, the old woman,
Pointing with her finger westward,
O'er the water pointing westward,
To the purple clouds of sunset."
Who wrote the poem from which these lines are taken?
“The Song of Hiawatha” is one of Longfellow’s best known poems. Published in 1855 and written in trochaic tetrameter, it is an epic that follows the life and adventures of Hiawatha, a Native-American hero.
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But how presumptuous shall we hope to find
Divine acceptance with the Almighty mind
While yet a deed ungenerous they disgrace
And hold in bondage Afric's blameless race
Let virtue reign and then accord our prayers
Be victory ours and generous freedom theirs.
Based on the subject matter of this excerpt, the author of the poem is most likely to be which of the following?
This excerpt, taken from a eulogy to an American general, was written by the female poet, Phillis Wheatley. An African slave, Wheatley was well educated and wrote on a variety of topics—everything from slavery to infant mortality. She favored couplets in her work and was the first African-American to publish a book.
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In the Desert
In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;
“But I like it
“Because it is bitter,
“And because it is my heart.”
Which American author wrote this poem?
This poem was written by Stephen Crane. It was published in 1895, as part of his poetry collection The Black Riders and Other Lines. Historically, Crane’s poetry has received less attention than his prose, among which is the famous American novel The Red Badge of Courage, but this particular poem is often discussed among scholars and has served as the epigraph to several later works of fiction.
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O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
Which American author wrote this poem?
Written by Walt Whitman in 1865 (and popularized by the movie, Dead Poets Society), this iconic American elegy eulogizes Abraham Lincoln, compaings him to a stalwart ship captain. “O Captain! My Captain!” is included in later editions of Whitman’s Leaves of Grass and often accompanies another Whitman elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d.”
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“So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.”
These lines conclude an American poem titled “Thanatopsis.” Who is the author?
“Thanatopsis” was published in 1817 by the early American poet, William Cullen Bryant. As its Greek title indicates, the poem is an extended meditation on death (Thantos = "death" in Greek).
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Hear the sledges with the bells,
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.
This stanza is from a poem by which poet?
This poem is Edgar Allan Poe’s “The Bells.” Known also for his short fiction, much of which has a macabre tone and a preoccupation with human mortality, Poe wrote “The Bells” with the aid of literary devices such as onomatopoeia, metaphor, and diacope. It was published posthumously.
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Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun,
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs.
Who wrote the poem from which these lines are excerpted?
“Mending Wall,” published in 1914, is one of Frost’s better known works. The poem is written in blank verse and discusses a dispute between two neighbors about the necessity of a fence between their properties.
Passage adapted from "Mending Wall" by Robert Frost in Modern American Poetry (ed. Untermeyer, 1919)
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Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Who wrote this poem?
This is “Hope is the Thing With Feathers,” written by Emily Dickinson and published after her death. Although Dickinson’s poetry is often recognizable by her extensive use of em dashes (see “Because I Could Not Stop for Death” et al.), readers can also distinguish her work by her short lines and stanzas, her keen observations, and her philosophical musing.
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Concord Hymn
"By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood
And fired the shot heard round the world.
The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream which seaward creeps.
On this green bank, by this soft stream,
We set today a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone."
Which poet wrote the above lines?
Ralph Waldo Emerson may be best known for his critical work, including “Self-Reliance” and various discussions of Transcendentalism, but it is important to recognize his poetry as well. “Concord Hymn,” published in 1836, is one of his best known poems and was sung at the dedication for a monument commemorating the Revolutionary War’s Battle of Concord.
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In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter – bitter,” he answered;
“But I like it
Because it is bitter,
And because it is my heart.”
Who wrote this poem?
This is Stephen Crane’s poem “In the Desert,” taken from his collection of 56 poems titled The Black Riders and Other Lines (1895). The Black Riders and Other Lines was Crane's second book, and was published earlier in the same year as Crane's most famous work, The Red Badge of Courage (1895).
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In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter – bitter,” he answered;
“But I like it
Because it is bitter,
And because it is my heart.”
During which decade was this poem published?
Even if you weren’t sure when this poem was published, 1895, you could rule out the other choices. Stephen Crane lived a short life, dying in 1900 at the age of 29. All of the five books Crane published in his lifetime were released in the six year period between 1893 and 1899.
The passage is adapted from "In the Desert," which appeared in Stephen Crane's The Black Rider and Other Lines (1895).
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In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter – bitter,” he answered;
“But I like it
Because it is bitter,
And because it is my heart.”
The same author also wrote which famous war novel?
Stephen Crane published the novel The Red Badge of Courage in 1895, the same year in which The Black Riders and Other Lines, his only volume of poetry, was published_._ He was said to prefer The Black Riders and Other Lines to this novel, although the latter was vastly more famous.
The passage is adapted from "In the Desert," which appeared in Stephen Crane's The Black Rider and Other Lines (1895). Erich Maria Remarque's All Quiet on the Western Front (1929), Ernest Hemingway's For Whom the Bell Tolls (1940), Nathaniel Hawthorne's T_he Scarlet Letter_ (1850), and Norman Mailer's The Naked and the Dead (1958) were all used as alternative options.
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I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease, observing a spear of summer grass.
Houses and rooms are full of perfumes— the shelves are crowded with perfumes,
I breathe the fragrance myself, and know it and like it,
The distillation would intoxicate me also, but I shall not let it.
This poem was written by __________.
This passage is adapted from Walt Whitman’s “Song of Myself,” taken from the first edition of his Leaves of Grass (1855). Always be vigilant about the edition of Leaves of Grass, as Whitman significantly revised and expanded the book in later editions.
Passage adapted from "Song of Myself" in Leaves of Grass by Walt Whitman, ln.1-8 (1855)
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I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease, observing a spear of summer grass.
Houses and rooms are full of perfumes— the shelves are crowded with perfumes,
I breathe the fragrance myself, and know it and like it,
The distillation would intoxicate me also, but I shall not let it.
In what decade was this poem first published?
The key word in this question is "first." Whitman first published the poem in 1855, but he edited it and published new versions until his death in 1892. Over nearly four decades, the volume expanded from a dozen poems to more than 400.
Passage adapted from "Song of Myself" in Leaves of Grass by Walt Whitman, ln.1-8 (1855)
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I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease, observing a spear of summer grass.
Houses and rooms are full of perfumes— the shelves are crowded with perfumes,
I breathe the fragrance myself, and know it and like it,
The distillation would intoxicate me also, but I shall not let it.
What other famous line appears in a later version of the same poem?
“Water, water everywhere, nor any drop to drink" is from Samuel Taylor Coleridge's "Rime of the Ancient Mariner" (1834 version), “Hope is the thing with feathers” is from the Emily Dickinson poem of the same name published in 1891, “Two roads diverged in a wood, and I— / I took the one less traveled by” is from Robert Frost's "The Road Not Taken" (1916), and “How do I love thee? Let me count the ways” is from Elizabeth Barrett Browning's "Sonnet 43" (1850).
"Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes" was taken from the 1892 edition of Leaves of Grass.
Passage adapted from "Song of Myself" in Leaves of Grass by Walt Whitman, ln.1-8 (1855)
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