Read the passage, then answer the question.
Chinese calligraphy (shufa) is an art where brush strokes reveal character, learning, and moral cultivation. It develops alongside classical texts, and it remains a living heritage in homes, schools, and studios. The same written character can look restrained or bold, because ink density, speed, and pressure carry expressive intent. Calligraphy values disciplined practice, yet it also prizes spontaneity within rules.
Historical figures describe its spirit. The Jin calligrapher Wang Xizhi is associated with the idea that writing can show the mind, often summarized as “书如其人,” meaning the script resembles the person. Viewers judge balance, rhythm, and energy, and they often connect these qualities to the writer’s temperament. In this sense, calligraphy becomes both visual art and ethical self-presentation.
Western painting, by comparison, often highlights representation through color, perspective, and composition on canvas. While painting can also express inner life, it typically separates image from text, whereas calligraphy fuses meaning and form. Both traditions develop distinctive aesthetics and training methods, and both shape standards of taste in elite and popular settings.
Key cultural aspects include:
- Valuing brush strokes as traces of movement and intention.
- Treating calligraphy as cultural heritage tied to classical learning.
- Building aesthetics around rhythm, balance, and expressive restraint.
Based on the passage, what are the key differences highlighted between Chinese calligraphy and Western painting?