Diego Velazquez was an idiosyncratic painter who became the offical court painter for the Spanish king Philip IV. Velazquez's unique composition style, love of odd subjects, and expressive portrait style found its culmination in Las Meninas, a 1656 painting that shows the daughters of the King with their attendants and the painter in a large room with people coming and going. The painting was so remarkable that Pablo Picasso made a cubist version of it in the twentieth century.

Diego Velazquez was an idiosyncratic painter who became the offical court painter for the Spanish king Philip IV. Velazquez's unique composition style, love of odd subjects, and expressive portrait style found its culmination in Las Meninas, a 1656 painting that shows the daughters of the King with their attendants and the painter in a large room with people coming and going. The painting was so remarkable that Pablo Picasso made a cubist version of it in the twentieth century.

Diego Velazquez was an idiosyncratic painter who became the offical court painter for the Spanish king Philip IV. Velazquez's unique composition style, love of odd subjects, and expressive portrait style found its culmination in Las Meninas, a 1656 painting that shows the daughters of the King with their attendants and the painter in a large room with people coming and going. The painting was so remarkable that Pablo Picasso made a cubist version of it in the twentieth century.

Diego Velazquez was an idiosyncratic painter who became the offical court painter for the Spanish king Philip IV. Velazquez's unique composition style, love of odd subjects, and expressive portrait style found its culmination in Las Meninas, a 1656 painting that shows the daughters of the King with their attendants and the painter in a large room with people coming and going. The painting was so remarkable that Pablo Picasso made a cubist version of it in the twentieth century.

Contrapposto has to do with the weight shift in a figure, crosshatching is used to create angles, and shading does not imply a contrast. Sfumato is about the transition from light to dark, not contrasting the two. Chiaroscuro is the only answer that works here because its definition is the treatment of light and shadow to show a contrast.

A triptych, from Greek words meaning "three fold," was often placed at the altar of medieval and early modern European churches. The paintings allowed for three separate scenes to be shown in one place, which allowed both the artist to depict three related topics and show the viewer a larger scene than one panel would allow. Triptychs were largely used for religious topics in the middle ages, but have remained a popular style up to the present day.

Romanticism was an artistic movement across many disciplines during the first part of the nineteenth century which was a reaction to the empiricism of the Enlightenment and the formalism of Neoclassicism. Works like Lord Byron's poem Don Juan celebrated a bold hero devoted to the good life. Frederic Chopin used folk melodies to create sweeping, emotional music for the piano and symphonies. Eugene Delacroix's The Massacre at Chios commemorated a moment in the nationalist uprising of the Greek Revolution.

Picasso's 1907 painting Les Demoiselles d'Avignon is largely considered one of the first cubist paintings. As such, Picasso broke with traditional forms of representation, but did so by including many different influences, particularly impressionists like Paul Cézanne and trends toward a primitivism in art. Picasso also began creating the piece after seeing an exhibition on tribal art that included African masks like those portrayed in the painting.

Romanticism was an artistic movement across many disciplines during the first part of the nineteenth century which was a reaction to the empiricism of the Enlightenment and the formalism of Neoclassicism. Works like Lord Byron's poem Don Juan celebrated a bold hero devoted to the good life. Frederic Chopin used folk melodies to create sweeping, emotional music for the piano and symphonies. Eugene Delacroix's The Massacre at Chios commemorated a moment in the nationalist uprising of the Greek Revolution.

Picasso's 1907 painting Les Demoiselles d'Avignon is largely considered one of the first cubist paintings. As such, Picasso broke with traditional forms of representation, but did so by including many different influences, particularly impressionists like Paul Cézanne and trends toward a primitivism in art. Picasso also began creating the piece after seeing an exhibition on tribal art that included African masks like those portrayed in the painting.