Test: LSAT Reading

Adapted from The Monk by Matthew Lewis (1796)

The monks having attended their abbot to the door of his cell, he dismissed them with an air of conscious superiority in which humility's semblance combated with the reality of pride. He was no sooner alone, than he gave free loose to the indulgence of his vanity. When he remembered the enthusiasm that his discourse had excited, pride told him loudly that he was superior to the rest of his fellow-creatures.

“Who,” thought he; “Who but myself has passed the ordeal of youth, yet sees no single stain upon his conscience? Who else has subdued the violence of strong passions and an impetuous temperament, and submitted even from the dawn of life to voluntary retirement? I seek for such a man in vain. I see no one but myself possessed of such resolution. Religion cannot boast Ambrosio's equal! How powerful an effect did my discourse produce upon its auditors! How they loaded me with benedictions, and pronounced me the sole uncorrupted stalwart of the church! What then now is left for me to do? Nothing, but to watch as carefully over the conduct of my brothers as I have hitherto watched over my own. Yet hold! May I not be tempted from those paths which till now I have pursued without one moment's wandering? I must now abandon the solitude of my retreat; the fairest and noblest dames of Madrid continually present themselves at the abbey, and will use no other confessor. Should I meet some lovely female in that world that I am constrained to enter, lovely . . . as you, Madonna . . . !”

As he said this, he fixed his eyes upon a picture of the Virgin, which was suspended opposite to him. This for two years had been the object of his increasing wonder and adoration. He paused, and gazed upon it with delight.

“What beauty in that countenance!” He continued after a silence of some minutes. “Oh! If such a creature existed, and existed but for me! Gracious God, should I then resist the temptation? Should I not barter for a single embrace the reward of my sufferings for thirty years? Should I not abandon . . . Fool that I am! Whither do I suffer my admiration of this picture to hurry me? Away, impure ideas! Let me remember that woman is forever lost to me. Never was mortal formed so perfect as this picture. But even did such exist, the trial might be too mighty for a common virtue, but Ambrosio's is proof against temptation. Temptation, did I say? To me it would be none. It is not the woman's beauty that fills me with such enthusiasm; it is the painter's skill that I admire, it is the divinity that I adore! Are not the passions dead in my bosom? Have I not freed myself from the frailty of mankind? Fear not, Ambrosio! Take confidence in the strength of your virtue.”

Here his reverie was interrupted by three soft knocks at the door of his cell. With difficulty did the abbot awake from his delirium. The knocking was repeated.

“Who is there?” said Ambrosio at length.

“It is only Rosario,” replied a gentle voice.

“Enter! Enter, my son!”

The door was immediately opened, and Rosario appeared with a small basket in his hand.

Rosario was a young novice belonging to the monastery, who in three months intended to make his profession. A sort of mystery enveloped this youth, which rendered him at once an object of interest and curiosity.


Ambrosio would be most likely to disagree with which of the following statements?

The idea of an infallible monk is laughable.

Rosario was wrong to disturb him at that time.

The church has flaws.

His pride makes him imperfect.

He needs to address his feelings about the painting.

1/2 questions


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