Practice Test 1 - AP English Literature and Composition

20 questions. Answer them in any order, then submit to see your score and every explanation.

  1. In the following original poem, a speaker describes working a late shift at a hospital and trying to remain compassionate. What is the function of the simile "like a cup held too long"? At 2 a.m. the corridors shine with waxed fatigue. Monitors blink their patient, green insistence. A nurse hums something wordless at the desk. I carry charts, I wash my hands again, I learn the names of pains I cannot fix. In room twelve, a man asks for his daughter. I tell him she's on her way; he believes me. My kindness trembles like a cup held too long, warm at first, then burning at the rim. Still, I offer it, careful not to spill. Outside, the vending machine swallows coins and gives back salt, as if that could be rest.
  2. In the following excerpt from a short story, a young woman rides a bus past the neighborhood where she grew up after years away: "The route had changed, but her body still anticipated the old turns. She saw the corner store repainted, the playground fenced, the vacant lot filled with identical townhouses. Memory rose in her throat, like a song you know by heart but can't remember where you first heard, and she pressed her forehead to the glass to keep from speaking." Which option best explains the significance of the bolded comparison?
  3. An excerpt is structured as a set of "before" and "after" bullet points, as if from a self-help worksheet. The "before" bullets describe the narrator's habits confidently; the "after" bullets reveal subtle losses and compromises, though the narrator insists each change is "for the best." What is the primary effect of using bullet points for this narrative? Assume the changes are connected to an emotionally controlling partner.
  4. Read the poem below, then answer the question. Title: "Borrowed Suit" Tonight, the suit fits like a borrowed opinion. I smooth the lapels, practicing a smile. Years ago, my brother wore it to his wedding and danced until the seams sweated. Now I button it for court, its pockets still holding rice. After the verdict, I will hang it back up and pretend cloth can forget. How does the poem's ordering (present "Tonight," past wedding, then "After the verdict") contribute to the poem's meaning?
  5. Read the following excerpt from an original drama. [A hospital waiting room at 3 a.m. The television is muted, showing a smiling anchor gesturing at a weather map. The vending machine hums and occasionally clunks as if swallowing coins. A row of plastic chairs is bolted to the floor; one chair has a crack taped over with medical tape.] DEV (standing, then sitting, then standing again): If I sit, I'll sink. LENA (eyes on the muted TV): You won't. DEV: The chairs are nailed down like they don't trust us. [He presses a finger against the taped crack; the tape lifts slightly, then sticks back with a faint snap.] LENA: Stop picking at it. DEV: I just want to see where it breaks. Which choice best explains how the setting shapes DEV's characterization through the emphasized elements? Consider the bolted chairs, the muted television, and the taped crack.
  6. Poem excerpt: At midnight the refrigerator clicks awake, a small animal in the dark. I stand barefoot on the cold tile, listening for what I didn't say. The house holds its breath— then releases it, one motor-hum at a time. How does the poet's control of sound and line breaks contribute to meaning? A) The poet uses constant end rhyme to make the scene feel like a nursery rhyme B) The poet uses abrupt pauses around "The house holds its breath— / then releases it" to mimic suspense and release C) The poet avoids auditory imagery to emphasize visual darkness D) The poet's irregular capitalization signals the speaker's unreliability more than the scene's mood
  7. Read the following original poem excerpt: In the laundromat's blue-lit hum, I wait— quarters sweating in my palm— while shirts revolve through borrowed weather. My mother's voice returns in suds and heat, and my apology, unspoken, clings like lint to a black coat. In context, what is the primary function of the simile like lint to a black coat?
  8. Read the poem below and answer the question. Title: "Grandmother's House" Her house smells of starch and oranges, of Sundays still folded in drawers. The clock ticks with authority. I step carefully, as if the carpet might report me. She offers tea in a cup too thin for my hands. On the wall, my school photo smiles with borrowed confidence. She asks if I'm eating enough. I say yes, yes. In the hallway mirror, I stand behind my own shoulders, trying to appear smaller so her worry will fit. What do the bolded words most reveal about the speaker's perspective in the house?
  9. Read the excerpt: "The old man at the corner store calls me 'champ' and slides the change into my hand with a wink. When I was new to the neighborhood, I thought his friendliness was surveillance, a way of counting who belonged. Now I nod back, grateful for a kindness that asks nothing. In a few months, I will learn his name from an obituary taped to the door, and I will feel foolish for not asking sooner. I step outside with my bag of rice and let 'champ' sit on my shoulders like a borrowed jacket." How does the excerpt's shift from past suspicion to present acceptance to future regret contribute to its central idea?
  10. Read the following excerpt from a short story: In the art studio, Simone cleaned her brushes the moment she finished a stroke, keeping her palette arranged like a row of obedient buttons. Leo let paint dry into crusts on his hands and used the same brush for every color, claiming the mess "taught" him. When Simone said, "You'll ruin your tools," Leo said, "Or they'll ruin me if I worship them." What is the primary function of the contrast between Simone's meticulous maintenance and Leo's embrace of mess?
  11. Read the following original drama excerpt and determine the function of the bolded imagery. [Backstage at a small theater. Props are stacked in shadows. The muffled applause fades.] ELI: You missed your cue. SASHA: I heard it. I just—couldn't step into it. ELI: It's a line, Sasha. You walk, you speak. SASHA: No. Tonight the curtain felt like a tongue holding back a confession, and the spotlight was a coin someone pressed to my eyelid. ELI: You're being dramatic. SASHA: We sell drama. But my hands were two birds trapped in their own ribs. Which choice best describes the function of the bolded imagery in the excerpt?
  12. Read the following excerpt from an original drama. In a small apartment, RUTH confronts her longtime friend CAL about his repeated apologies without change. RUTH: You keep saying you're sorry. CAL: I am sorry. RUTH: Then why does it keep happening? CAL: I don't know. I panic. RUTH: You don't panic. You choose. CAL: That's not fair. RUTH: Fair? I've been the one cleaning up after you. CAL: I never asked you to. RUTH: You never had to. You just left the mess like it was my job. CAL: (voice small) I'm trying to be better. RUTH: Trying is not the same as doing. CAL: (sudden anger) What do you want from me? RUTH: I want your words to stop being a bandage on a broken bone. In context, what is the primary function of the metaphor "a bandage on a broken bone"?
  13. Read the following excerpt from a short story: In a cramped apartment, a mother irons her son's school shirt until the fabric shines. She repeats, "Press it flat," not only to the shirt but to the boy's hair and posture. The boy notices the iron's hiss and thinks it sounds like "a warning that never finished speaking." Which thesis best captures an arguable claim about how the excerpt connects domestic detail to theme?
  14. Read the excerpt from an original drama. [Stage directions: A train station in a border town. A line of orange cones funnels travelers toward a temporary desk marked "DOCUMENT CHECK." A loudspeaker repeats instructions in two languages. Uniformed officers stand beside a map with routes highlighted in red marker.] ANA: They didn't do this last summer. TOMAS: Last summer wasn't this year. ANA: Are we still going through? TOMAS: If our papers agree. What do the bolded details most strongly suggest about the setting?
  15. Read the excerpt and answer the question. When the landlord came to inspect the apartment, I followed him from room to room like a polite shadow. He ran his finger along the windowsill and nodded, as if cleanliness were a confession. I had scrubbed for hours the night before, even behind the refrigerator where no one looks. He asked if everything was "working okay," and I said yes, though the bathroom faucet had been leaking for weeks. Asking for repairs feels like admitting you deserve care. When he left, I exhaled and looked at the spotless counters, as if they could testify on my behalf. Which interpretation best explains what the bolded details reveal about the narrator's perspective?
  16. Read the excerpt from a short story: The first snow came late, and when it did, the city seemed surprised by its own silence. Keisha stood at her window watching the streetlights blur into halos. Across the road, a man shoveled his steps with slow care, making neat paths that would be erased by morning. Keisha had always loved snow for how it hid the trash and soot, how it made everything look newly forgiven. But this year, she recognized the trick. She thought of whitewash, not paint on a fence, but the urge to cover what still exists beneath. What is the primary function of the allusion to whitewash?
  17. Read the following excerpt from an original drama. [An old orchard at noon. A ladder leans against a tree. GRACE holds a basket; HENRY, her father, sharpens pruning shears.] GRACE: You said you'd sell the land. HENRY: I said I'd think. GRACE: Thinking is your way of not doing. HENRY (tests the shears): These trees fed you. GRACE: They also kept you here. HENRY: Here is where your mother is. GRACE: In the ground. HENRY (quietly): And in the roots. GRACE (kicks the ladder): And in the paperwork you refuse to sign. Which choice best describes the function of the contrast between "And in the roots" and "And in the paperwork you refuse to sign"?
  18. Read the following poem, narrated by a museum security guard closing a gallery for the night: Title: "After Hours" I count the rooms by footsteps, not by art— three squeaks to the Dutch still life, five to war. The boy with the lute keeps playing in his varnish, and the saint's gold halo catches my flashlight, flaring like a warning on a roadside sign. They say the painter loved the world too much, that's why the fruit looks bruised with tenderness. But I've watched visitors lean in, then step back as if the grapes might rot on their clean sleeves. At midnight I lock the doors, and in the glass my badge shines where the portraits' eyes should be. I tell myself the silence is the point. Still, I feel them looking—trained, expensive, waiting for the guard to leave his post. How does the speaker's perspective as a museum security guard most strongly affect the poem's meaning?
  19. In the excerpt below from an original drama, the playwright uses a repeated line across separated beats. [Bus stop. Dawn. A streetlamp buzzes.] ELI: You said you'd come. ROSA: I did come. ELI: You came late. ROSA: The buses don't care what you promised. ELI: (watching the road) When it turns the corner, it'll be over. ROSA: Nothing is ever over. It just changes clothes. [They wait. A long beat.] ELI: Do you remember the day you learned to swim? ROSA: I remember the day you stopped. ELI: (quiet) When it turns the corner, it'll be over. ROSA: Say something else. ELI: I can't. That's the only sentence that fits. [Headlights appear, then vanish as a bus passes without stopping.] ROSA: It didn't even look at us. ELI: (smiling without humor) When it turns the corner, it'll be over. Which choice best explains the function of the repeated line "When it turns the corner, it'll be over." in the scene's structure?
  20. Read the following excerpt from a short story: In the break room, a handwritten sign appears above the sink: PLEASE RINSE YOUR DISHES. The letters are careful, almost decorative, and someone has drawn a small flower beside the word "PLEASE." Talia watches her coworkers read it and nod solemnly, as if they've been given a moral task. That afternoon, she sees the same person—she recognizes the neat handwriting on a sticky note—leave a coffee cup in the sink anyway, brown ring blooming like a bruise. Talia considers writing another sign: PLEASE MEAN IT. Instead, she scrubs the cup until the sponge squeaks, surprised by how satisfying it feels to erase evidence of someone else's carelessness. Which thesis best interprets the excerpt's irony and Talia's response to it?

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