Philip Johnson was a modernist architect who sought clean lines, used steel and glass construction, and valued function in his design. Inspired by the Farnsworth House designed by Mies van der Rohe, Johnson designed his own house in Connecticut as made almost entirely of glass. The rectangular abode is now a tourist site, along with Johnson's entire property, including other buildings and his massive art collection.

John Augustus Roebling, a German immigrant, was the leading designer of bridges throughout the mid-nineteenth century in America. His masterpiece, however, was the Brooklyn Bridge, which was the first steel-wire suspension bridge ever built. Unfortunately, Roebling died in 1870, just as it was beginning construction, and his son Washington Roebling had to take over construction.

La Sagrada Familia was planned as a massive church in Barcelona that would rival its Cathedral in size. After breaking ground in 1882, the church is still not totally finished. Importantly, its architect Antoni Gaudí was killed in a 1926 tram accident, and the work had to continue on under architects with different design aesthetics than its singular original designer.

Gehry, a modernist architect well known for flowing lines and unusual shapes, has built concert halls, museums, and government buildings around the world. Among his most notable works is the Guggenheim Museum in Bilbao, Spain, constructed out of titanium and glass, in shapes that are meant to evoke the countryside of Bilbao's Basque region.

All Mayan cities and temple structures revolved around the pyramid. Typically featuring steps to the top of the pyramid and terraces, the Mayas used the pyramid for temples, palaces, and most other important buildings. The use of the pyramid was highly influential for later Mesoamerican cultures, such as the Aztecs.

Hindu temple architecture follows guidelines which call for a circular inner sanctum with the rest of the structure emanating from the center room. As with most ancient Hindu artistic traditions, the basic structures and rules for Hindu temple architecture are found in the group of works known as the Shilpa Shastras.

The "Bauhaus," German for House of Construction, was a school of arts and architecture in the Weimar Period between the two World Wars. The school was so influential that it gave its name to an entire movement, focusing on modern design, efficiency, and a cohesive approach to art between architecture, design, and crafts.

"Beaux-Arts" takes its name from the national art school in France, but describes a separate movement among architects in the United States from roughly 1880 to 1920. The movement was defined by a sweeping neoclassicism that used Baroque motifs, featured a hierarchy of spaces (making grand entryways more important than living areas), added ornate elements like statues and vaultings, and usually employed flat roofs on buildings. The Beaux-Arts style was surpassed by Modernist architecture that valued clean lines and functionality over design details.

Art Deco was a thoroughly early-twentieth-century phenomenon in arts and architecture, as it blended machine-age construction with traditional craftwork aesthetics. The designs featured a great deal of metal with rich colors, bold geometric shapes, and distinct ornamentation. One of the most famous Art Deco buildings is the Chrysler Building in New York.

The Chrysler Building in midtown Manhattan was the tallest building in the world for eleven months, spanning from its completion in May of 1930 to the completion of the Empire State Building. Apart from sheer size, the Chrysler building was also notable as a shining example of Art Deco design. The building's brick artifice, metal crown, and use of modern technological design all were exactly in line with Art Deco's chief features.